Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Literary responses | Ann Yearsley | Elizabeth Isabella Spence
, reporting on a visit to Bristol, mentions AY
as an example of an obscure woman writer of genius. Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme. 71 |
Literary responses | Lady Mary Wroth | Barbara Kiefer Lewalski
has summarised LMW
's achievement (her historical importance and the quality of her art) like this: Wroth reinvented the Petrarch
an lyric sequence, the romance, and the pastoral drama, claiming those genres... |
Family and Intimate relationships | Lady Mary Walker | Foscolo read Petrarch
and Sterne
together with Hamilton's daughter Sophia. Then he seduced her, and went back to Italy leaving her pregnant. The baby was called Mary after her grandmother, and stayed with Lady Mary... |
Textual Features | Anna Jane Vardill | AJV
translates from Sappho
, Anacreon
, Alcæus
, Theocritus
, Horace
, and more recent poets: Petrarch
and Camoens
. She includes several charity poems: the one already published in aid of the Refuge for the Destitute |
Literary responses | Mary Tighe | Their editor Harriet Kramer Linkin
calls these poems often unsettling and unsettled,pulsating with the frustrated energies of unfulfilled Petrarchan
desire voiced from a complex feminine position. Tighe, Mary. “Introduction”. Verses Transcribed for H. T., edited by Harriet Kramer Linkin. |
Textual Features | Catherine Talbot | It concludes that her heart will forever conceal that it drags in reasons Spite / an Heavy, Hopeless Chain. Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon. 219 |
Textual Production | John Millington Synge | |
Theme or Topic Treated in Text | Anna Swanwick | AS
declares at the outset her belief in the progressive development of the human race, and in the contribution that poetry makes to pushing on that development as well as to witnessing and recording it... |
Intertextuality and Influence | Christopher St John | This thinly disguised autobiographical fiction (both roman à clef and bildungsroman) depicts a lesbian or invert relationship at a time when public attention to unorthodox sexual relationships (following such attention by sexologists), was on the... |
Education | Edmund Spenser | ES
attended Merchant Taylors' School
(which had been founded in 1561). His first publication (translations from Petrarch
and Du Bellay
) appeared in print (with another translation) before he entered university. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Charlotte Smith | |
Intertextuality and Influence | Eleanor Sleath | The story opens in the year 1605 in a cottage near the Jura Mountains. Later scenes set in Salzburg convinced Devendra P. Varma
that Sleath was personally acquainted with that city. Varma, Devendra P., and Eliza Parsons. “Introduction”. Castle of Wolfenbach, Folio Press, p. xiii - xxiv. xix |
Intertextuality and Influence | Eleanor Sleath | |
Intertextuality and Influence | Mary Shelley | |
Cultural formation | Christina Rossetti | She came of fully Italian blood on her father's side, and half-Italian, half-English on her mother's. In a piece on Petrarch
, she claimed that family documents proved her descent from his muse, Laura... |