Jane Porter
-
Standard Name: Porter, Jane
Birth Name: Jane Porter
JP
was largely an early nineteenth-century author: though she reached print before the end of the previous century, she let her younger and more prolific sister get the start of her in publishing. She wrote plays, poems, and diaries, and edited Sir Philip Sidney
, but she began with and is best known for her pioneering of the historical novel.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Eliza Fenwick | Other more or less radical friends of EF
included Thomas Holcroft
, Anne Plumptre
, Elizabeth Benger
, Jane Porter
, Henry Crabb Robinson
, Charles
and Mary Lamb
, and their friend Sarah Stoddart |
Friends, Associates | Mary Robinson | After MR
became known as the prince's mistress, the double standard in public morality made it virtually impossible for respectable women to treat her as a friend. Her admiration for Sarah Siddons
was not reciprocated... |
Friends, Associates | Elizabeth Ogilvy Benger | The guests included Joanna Baillie
, Jane Porter
(both mentioned as celebrities) and Eliza Fenwick
. Robinson, Henry Crabb. Diary, Reminiscences, and Correspondence. Editor Sadler, Thomas, Macmillan. 199-200 Robinson, Henry Crabb. Diary. |
Friends, Associates | Mary Russell Mitford | She knew most of the literary women of her day, including Felicia Hemans
(who wrote to ask her for an autograph), L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 173-4 Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 213 |
Friends, Associates | Mary Shelley | MS
also met the leading women writers of her later years: Jane Porter
, Catherine Gore
, Caroline Norton
, and LEL
. She was friendly, too, with Thomas Moore
, Prosper Mérimée
, Washington Irving |
Friends, Associates | Eliza Fletcher | Hamilton, herself a conservative, set about de-demonizing EF
's political reputation. She had good success in persuading her friends that Mrs Fletcher was not the ferocious Democrat she had been represented, and that she neither... |
Friends, Associates | Sydney Owenson, Lady Morgan | In London in 1824 she had a socially unsuccessful meeting with Wordsworth
, who was by now a thorough reactionary in politics. He went to some pains to snub her; she refused to notice this... |
Intertextuality and Influence | Mary Brunton | MB
's first heroine, Laura Montreville, daughter of a Scottish officer, covets Christian martyrdom as a child, in rather the same spirit as George Eliot
's Dorothea Brooke and other idealistic, immature heroines. As a... |
Intertextuality and Influence | Elizabeth Isabella Spence | Spence's title-page bears a quotation from James Cririe
, a little-known Scots poet whom Burns had praised (and whom she cites several times later in her text). Perhaps for the sake of her original audience... |
Intertextuality and Influence | B. M. Croker | Maurice grows up and grows handsome. On later visits he performs a dangerous and heroic rescue of a local girl from the path of a train, and takes Nora out hunting: a more adult mode... |
Intertextuality and Influence | Sara Maitland | She points out that for all Brunton's highly moralistic intentions, Maitland, Sara, and Mary Brunton. “Introduction”. Self-Control, Pandora, p. ix - xi. ix |
Leisure and Society | Maria Susanna Cooper | MSC
kept up with contemporary publications. She asked her son Astley to send her from London the latest volume of Johnson
's edition of Shakespeare Cooper, Bransby Blake. The Life of Sir Astley Cooper, Bart. John W. Parker. 1: 136 |
Literary responses | Fanny Holcroft | The Critical gave this novel a detailed notice starting from the proposition that FH
had not had critical justice because of unfair comparisons with her eminent father. It praised the contrast in personality between the... |
Literary responses | Margaret Holford | Elizabeth Isabella Spence
praised this poem in print not long after its appearance (though she conceded that its view of Wallace was not so accurate as that of Jane Porter
's almost contemporaneous rendering in... |
Literary responses | Anna Maria Porter | The Critical found the novel lively and colourful, and supplied generous quotations. It did not mention or speculate about the author's gender. Critical Review. W. Simpkin and R. Marshall. 2d ser. 21 (1797): 474 |
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