Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press, 2000.
24-5
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Leisure and Society | Elizabeth Smith | ES
shared the passions of her Romantic generation for medieval castles and for mountains. She recorded folk customs in Wales and again in the Lake District, where she found a general similarity to the... |
Textual Production | Elizabeth Smith | One month before writing this poem Elizabeth Smith
met Mary Hunt
, with whom she was soon maintaining a scholarly correspondence. In the earliest letter which Bowdler prints (written on 7 July 1792), Smith touches... |
Education | May Sinclair | Here she extended her already very considerable reading in English literature and philosophy, and in the Greeks from Homer
and Æschylus
. She also studied modern languages and several branches of mathematics and science. Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press, 2000. 24-5 |
Textual Production | Anna Seward | AS
drafted the first three books of an epic poem entitled Telemachus, adapted from François Fénelon
's Télémaque, 1699. (She also wrote a defence of Pope
's Homer
translations against the strictures of Joseph Spence
.) Lucas, Edward Verrall. A Swan and Her Friends. Methuen, 1907. 315-16 |
Literary responses | Sappho | Despite the paucity of surviving material, Sappho (though not quite the earliest of the Greek lyric poets) is sometimes seen as heading the lyric tradition, as Homer
heads the epic tradition. Sappho, and Andrew R. Burn. Lyrics in the Original Greek. Translator Barnstone, Willis, New York University Press, 1965. 176 Burn, Andrew R. et al. “Introduction”. Lyrics in the Original Greek, translated by. Willis Barnstone, New York University Press, 1965, p. xvii - xxxi. xvii and n1 |
Fictionalization | Sappho | In the twentieth century Sappho
continued full of potential for poets and prose-writers. Naomi Mitchison
fictionalises her supposed school; Eavan Boland
takes her as guide on an underworld journey (as Dante took Virgil); Jeanette Winterson |
Occupation | Frances Arabella Rowden | FAR
was clearly a key element, perhaps the key element, in the success of the Hans Place school. She taught the general curriculum there for nearly twenty-five years, from its founding until 1818, and she... |
Theme or Topic Treated in Text | Christina Rossetti | Initially entitled A Fight over the Body of Homer, Rossetti, Christina. The Complete Poems of Christina Rossetti. Editor Crump, Rebecca W., Louisiana State University Press, 1979–1990, 3 vols. 1: 301 |
Textual Production | Mrs Ross | MR
published The Modern Calypso; or, Widow's Captivation, A Novel. The non-modern Calypso alluded to is the island enchantress in Homer
's Odyssey, who keeps Odysseus in thrall for seven years. This novel... |
Theme or Topic Treated in Text | Isabella Hamilton Robinson | Kate Summerscale
writes that these diary entries magically remade the scenes that had passed, no longer dissecting her longings but instead allowing them to infuse her recollections . . . the diary could conjure up... |
Intertextuality and Influence | Adrienne Rich | As usual with Rich, the six sections of this book fuse the poetic with the political (as reflected in her allusions to Gerard Manley Hopkins
, Walter Benjamin
, Homer
, Keats
). The first... |
Textual Features | Clara Reeve | |
Literary responses | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Textual Production | Alexander Pope | AP
published the long-awaited first four books of his translation of Homer
's Iliad. Lavoie, Chantel Michelle. Poems by Eminent Ladies: A Study of an Eighteenth-Century Anthology. University of Toronto, 1999. 164n43 |
Intertextuality and Influence | Winifred Peck | Her chapter-headings quote from Agnes Strickland
and Edith Sitwell
as well as an eclectic range of male authors from Homer
onwards. Quotations abound in the text as well as the epigraphs, and not all of... |
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