McDonald, Roxanne. “Eiléan Ní Chuilleanáin”. Guide to Literary Masters & Their Works, Salem Press.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Education | Eiléan Ní Chuilleanáin | ENC
went on to receive an MA in English literature from University College
, Cork. She says that her generation was brought up on poets like Donne
and Hopkins
. Bryce, Colette. “Making a Poem: Eiléan Ní Chuilleanáin”. Mslexia, Vol. 44 , p. 22. 22 |
Textual Features | Eiléan Ní Chuilleanáin | The poem The Witch in the Wardrobe, as ENC
explained to Colette Bryce
, comes in part from the The Lion, the Witch and the Wardrobe by C. S. Lewis
, in which a... |
Textual Production | Willa Muir | In her first novel, Imagined Corners, WM
examined the repression and fragmentation of the self through two women who bear the same name but present opposing images of femininity. Her title comes from John Donne |
Textual Production | Edna St Vincent Millay | The number of sonnets in the end was fifty-two. The book was dedicated to Elinor Wylie
. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 330, 332 |
Intertextuality and Influence | Mary Sidney Herbert, Countess of Pembroke | The fact that Mary Sidney did not print the psalms, as she did her brother's poems, says something about her attitudes both to print and to her own ranked and gendered identity as an author... |
Textual Production | Emma Marshall | She returned to literature (though she may not have thought of it as such) with In the Service of Rachel, Lady Russell
, A Story, 1893, and with Penshurst Castle in the time of... |
Textual Production | Rose Macaulay | RM
published And No Man's Wit, a highly political novel set during the SpanishCivil War. The title comes from a passage by John Donne
, where he imagines catastrophic change, such as... |
Textual Production | Rose Macaulay | Writing about a wide range of authors from Caedmon
to Coventry Patmore
, she devotes a significant portion of the book to the seventeenth century, which held a great interest for her. The chapter Anglicans |
Literary responses | Anne Locke | Charles A. Huttar
has praised AL
's sermon translation as readable, clear, and energetic—qualities in her original which it would have been easy to lose in translating. Editor Kel Morin-Parsons
calls the sonnets her most... |
Intertextuality and Influence | Pamela Hansford Johnson | She was working on it while her family moved house, writing on packing-cases with the removers removing around me. Johnson, Pamela Hansford. Important to Me. Macmillan; Scribner. 115 |
Education | Elizabeth Jennings | At university as at school, she was a voracious reader of poetry, feeling the influence in particular of John Donne
, Gerard Manley Hopkins
, and Robert Graves
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. under A Poet's Choice |
Textual Production | P. D. James | |
Textual Production | Susan Hill | The new publishing firm of Sinclair-Stevenson
issued SH
's first novel in seventeen years, besides The Woman in Black: it was entitled Air and Angels, after a poem by Donne
. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Hill, Susan. Mrs. de Winter. Sinclair-Stevenson. end pages |
Intertextuality and Influence | Elizabeth Griffith | He describes her with a line from Donne
's Second Anniversary. EG
's range of reference here includes Rousseau
, Milton
, Frances Greville
, and Lady Mary Wortley Montagu
. Characters discuss and... |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
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