Geoffrey Chaucer

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Standard Name: Chaucer, Geoffrey

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Lady Louisa Stuart
The story recalls that of Chaucer 's Wyf of Bath's Tale. A Scottish chieftain has three ugly daughters: his formidable wife makes him marry the ugliest of all to his defeated, handsome enemy, instead...
Intertextuality and Influence Barbara Pym
The central characters here are Jane Cleveland, a kindly and somewhat fey Oxford don, and Prudence Bates, Jane's former student and surrogate daughter. Jane's main preoccupation is matchmaking for Prudence: she likens herself not only...
Intertextuality and Influence Djuna Barnes
Phillip Herring calls Ryderessentially an autobiographical family chronicle in experimental form.
Herring, Phillip. Djuna: The Life and Work of Djuna Barnes. Penguin.
141
In this highly allusive novel, DB imitates and parodies a wide range of literary styles, from Chaucer to nineteenth-century sentimental novels.
Broe, Mary Lynn. “Introduction”. Silence and Power: A Reevaluation of Djuna Barnes, Southern Illinois University Press, pp. 3-23.
12
Intertextuality and Influence Evelyn Underhill
Many of these tales are unequivocally charming for a modern reader, but not so Gaude Maria, a version of the story which Chaucer used for his Prioress's Tale, about a poor widow's pious...
Intertextuality and Influence Margaret Roper
More is represented as addressing Margaret alternatively as daughter Marget and mother Eve,
McCutcheon, Elizabeth. “Margaret More Roper: The Learned Woman in Tudor England”. Women Writers of the Renaissance and Reformation, edited by Katharina M. Wilson, University of Georgia Press, pp. 449-80.
473
implying that her attempts to persuade him to swear the oath that would save his life are analogous to Eve's...
Intertextuality and Influence Jane Williams
The framework of a group of cultured people standing for different points of view and exchanging ideas owes something to Thomas Love Peacock 's Headlong Hall, 1816 (also set in Wales), but Williams is...
Intertextuality and Influence Mary Lamb
M. B.'s purpose in story-telling is not moral improvement but making little girls feel better (the youngest is seven): cheering them up since, newly sent to boarding school, they are crying for home; alleviating their...
Intertextuality and Influence Jo Shapcott
Epigraphs to particular poems quote Chaucer , Swift , Elizabeth Barrett , Elizabeth Bishop , Geoffrey Bateson , and (most frequently) Elizabeth Hardwick . The title-poem (called by a reviewer Kafka esque)
Wormald, Mark. “Making a virtue of double vision”. Times Literary Supplement, No. 4497, pp. 241-2.
642
exemplifies...
Intertextuality and Influence Philip Larkin
His youthful letters to Sutton are clotted with obscenities in a schoolboy manner, boring and embarrassing to a later generation: My tooth still aches. Balls & anus! I feel shat upon.
Brennan, Maeve. The Philip Larkin I Knew. Manchester University Press.
5
The pained exaggeration...
Intertextuality and Influence Jo Shapcott
The prefatory poem To Her Book translates the traditional farewell from creator to creation (as written by Ovid and imitated by Chaucer , Robert Louis Stevenson , and others, and popularly called Go, little book...
Intertextuality and Influence Wendy Cope
The real new departure in this book is The Teacher's Tale. Cope's homage to Chaucer is clear in her fast-running, colloquial narrative and her clear moral scheme of enjoyment and freedom on one side...
Intertextuality and Influence Jane Brereton
JB 's true attitude to her own poetic vocation is hard to fathom. In An Expostulatory Epistle to Sir Richard Steele upon the Death of Mr. Addison she calls herself the meanest of the tuneful...
Intertextuality and Influence Sophia Lee
SL 's frame story delightfully introduces the series. Her narrator is a male poet, poverty-stricken but eager for fame. Having been driven out of his house by bailiffs, he goes sightseeing and is snowed in...
Intertextuality and Influence Christine Brooke-Rose
This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen of a great German contemporary of Austen:...
Intertextuality and Influence Susan Smythies
The title-page bears a quotation from Prior 's verse romance Henry and Emma, but SS lays explicit claim, too, to a canonical tradition of prose fiction. The book begins with a series of tales...

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