Wormald, Mark. “Making a virtue of double vision”. Times Literary Supplement, No. 4497, pp. 241-2.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Jo Shapcott | Epigraphs to particular poems quote Chaucer
, Swift
, Elizabeth Barrett
, Elizabeth Bishop
, Geoffrey Bateson
, and (most frequently) Elizabeth Hardwick
. The title-poem (called by a reviewer Kafka
esque) Wormald, Mark. “Making a virtue of double vision”. Times Literary Supplement, No. 4497, pp. 241-2. 642 |
Intertextuality and Influence | Philip Larkin | His youthful letters to Sutton are clotted with obscenities in a schoolboy manner, boring and embarrassing to a later generation: My tooth still aches. Balls & anus! I feel shat upon. Brennan, Maeve. The Philip Larkin I Knew. Manchester University Press. 5 |
Intertextuality and Influence | Jo Shapcott | The prefatory poem To Her Book translates the traditional farewell from creator to creation (as written by Ovid
and imitated by Chaucer
, Robert Louis Stevenson
, and others, and popularly called Go, little book... |
Intertextuality and Influence | Wendy Cope | The real new departure in this book is The Teacher's Tale. Cope's homage to Chaucer
is clear in her fast-running, colloquial narrative and her clear moral scheme of enjoyment and freedom on one side... |
Intertextuality and Influence | Sophia Lee | SL
's frame story delightfully introduces the series. Her narrator is a male poet, poverty-stricken but eager for fame. Having been driven out of his house by bailiffs, he goes sightseeing and is snowed in... |
Intertextuality and Influence | Jane Brereton | JB
's true attitude to her own poetic vocation is hard to fathom. In An Expostulatory Epistle to Sir Richard Steele
upon the Death of Mr. Addison she calls herself the meanest of the tuneful... |
Intertextuality and Influence | Susan Smythies | |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Delarivier Manley | These novellas follow at more than one remove writers further back than Painter (Boccaccio
, Matteo Bandello
, Marguerite de Navarre
, and Chaucer
) in refashioning and retelling traditional stories. Most dated back... |
Intertextuality and Influence | Catherine Byron | Chaucer
's depiction of Rumour's house in the sky in the Hous of Fame inspired her to think of a poetic space open to all voices, currents, weathers. Byron, Catherine. Emails about Catherine Byron to Rebecca Blasco. |
Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
Intertextuality and Influence | Dorothea Primrose Campbell | DPC
was one of those claiming serious status for the novel by literary allusion. She uses Horace
on her title-page, Pope
to head the whole novel, and for chapter-headings Chaucer
, Shakespeare
, Goldsmith
... |
Intertextuality and Influence | Edna St Vincent Millay | She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a... |
Intertextuality and Influence | Agnes Strickland | Her historical romance The Pilgrims of Walsingham, 1835, is written on the Canterbury Tales model (as practised originally by Chaucer
and more recently by Harriet Lee
and her sister
). AS
's pilgrims who... |
Intertextuality and Influence | Elizabeth Strutt | ES
balances her story of love and adventure with the depiction of everyday life in a Scottish castle, including food, clothing, pastimes, heraldry, and chivalric tournaments, Stevens, Anne. “Tales of Other Times: A Survey of British Historical Fiction, 1770-1812”. Cardiff Corvey: Reading the Romantic Text, Vol. 7 . |
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