Quin, Ann. “Leaving School—XI”. London Magazine, Vol.
new series 6
, pp. 63-8. 64
D. H. Lawrence
-
Standard Name: Lawrence, D. H.
Used Form: David Herbert Lawrence
DHL
published prolifically between 1909 and his death in 1930: poetry, novels, short stories, travel literature, and social comment. He was always a controversialist, fighting against the machanizing, dehumanizing, desexualizing tendencies of modern life, and was also a playwright and a painter.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Agatha Christie | Around 1910, recovering from influenza, AC
wrote an occult story about dreams and delirium entitled The House of Beauty; it was influenced by the work of D. H. Lawrence
. She sent the story... |
| Intertextuality and Influence | Ann Quin | In her short autobiographical article Leaving School—XI, AQ
mentions having been writing stories since the age of seven to entertain myself. |
| Intertextuality and Influence | Mary Augusta Ward | Esther Smith
argues that D. H. Lawrence
radically recast this novel in Lady Chatterley's Lover, 1928. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 18 |
| Intertextuality and Influence | Anita Desai | AD
's work weaves together a wide range of cultural and literary references: the Mahabharata and the Bhagavadgîtâ, as well as such European authors as E. M. Forster
, T. S. Eliot
, Dickinson |
| Intertextuality and Influence | Anita Desai | Influenced by Eliot
's Four Quartets, Clear Light of Day deals with time as destroyer and preserver, and with what the bondage of time does to people. Gopal, N. Raj. A Critical Study of the Novels of Anita Desai. Atlantic Publishers and Distributors. 90 |
| Intertextuality and Influence | Mary Renault | Homosexuals in British fiction had been portrayed mostly as sick, funny, or both since the Oscar Wilde
trials (1895). E. M. Forster
had kept his Maurice unpublished. Radclyffe Hall
had run into trouble. Virginia Woolf |
| Intertextuality and Influence | Elaine Feinstein | EF
says her fiction and poetry come from different parts of herself: the voice, the cadences, the rhythms are very different. She sees fiction as involving impersonation of other people. Pacernick, Gary. Meaning and Memory: Interviews with Fourteen Jewish Poets. Ohio State University Press. 180 |
| Intertextuality and Influence | Bessie Head | The title in fact echoes that of her first novel, since in Setswana it means clouds, weather, or the elements. Eilenberg believes that roots of this story lie in BH
's erotic involvement, during her... |
| Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
| Intertextuality and Influence | Catherine Carswell | On a brief visit to Tregerthen near Zennor in Cornwall with D. H. Lawrence and his wife
, CC
worked closely with Lawrence
on their respective novel manuscripts. Carswell, John, and Catherine Carswell. “Introduction”. Open the Door!, Virago, p. v - xvii. xii Carswell, Catherine. The Savage Pilgrimage: A Narrative of D. H. Lawrence. Cambridge University Press. 59, 76-8 |
| Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
| Intertextuality and Influence | Ethel Mannin | EM
is critical also of palaces of commerce Mannin, Ethel. All Experience. Jarrolds. 66 Mannin, Ethel. All Experience. Jarrolds. 66 |
| Literary responses | Olivia Manning | Edward Garnett
, the reader for Cape
, thought he had not seen such an impressive novel as this second one since D. H. Lawrence
's The White Peacock. It was to discuss this... |
| Literary responses | Nell Dunn | According to Margaret Drabble
, this book was, like its predecessor, another succès de scandale. It was also one of the first post-Chatterley books . . . to treat women's sexuality as though it were... |
| Literary responses | Dorothy Brett | Lawrence
, to whom she sent a copy, thought the experiences described were unremarkable. Hignett, Sean. Brett. Franklin Watts. 197 |
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Texts
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