Pilditch, Jan. Catherine Carswell. A Biography. John Donald.
142
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Violet Hunt | VH
was one of the first readers of the works which launched D. H. Lawrence
's career in English letters—the poetry and short story, The Odour of Chrysanthemums, sent to the Review by his... |
Textual Production | Catherine Carswell | CC
published a second biography, The Savage Pilgrimage: A Narrative of D. H. Lawrence. After brisk early sales, charges that it was libellous caused her publisher, Chatto and Windus
, to remove it from the market. Pilditch, Jan. Catherine Carswell. A Biography. John Donald. 142 Carswell, John, and Catherine Carswell. “Introduction”. The Savage Pilgrimage: A Narrative of D. H. Lawrence, Cambridge University Press, p. v - xxxv. xxv Carswell, Catherine. Lying Awake: An Unfinished Autobiography and Other Posthumous Papers. Editor Carswell, John, Secker and Warburg. 204-6 |
Textual Production | Aldous Huxley | AH
's novel Point Counter Point appeared, featuring identifiable portraits of D. H. Lawrence
as Rampion, John Middleton Murry
as Burlap, and Nancy Cunard
as Lucy Tantamount. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press. 357 Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press. 278 Watt, Donald, editor. Aldous Huxley: The Critical Heritage. Routledge and Kegan Paul. 147 |
Textual Production | Helen Dunmore | HD
's many other writings include reviews (of both poetry and fiction), introductions (to the poems of Emily Brontë
, the stories of D. H. Lawrence
and F. Scott Fitzgerald
, and a study of... |
Textual Production | Lady Ottoline Morrell | LOM
began work on her memoirs in 1919, and returned to them more seriously in 1925. Seymour, Miranda. Ottoline Morrell: Life on the Grand Scale. Farrar Straus Giroux. 316, 345 |
Textual Production | Lady Cynthia Asquith | Her letters to D. H. Lawrence
are in the Harry Ransom Research Center
at the University of Texas at Austin
and her letters to Walter de la Mare
in the Bodleian Library
. Most of... |
Textual Production | Dorothy Brett | Like most of her circle DB
was an energetic letter-writer. In 1931 she made a will leaving all of her papers and Lawrence
's in her possession to Alfred Stieglitz
and Georgia O'Keeffe
, but... |
Textual Production | Catherine Carswell | She continued reviewing after the Great War. She struck an enduring relationship with the Manchester Guardian (though she often had to write for its Women's Corner on topics like cosmetics). She reviewed Lawrence
's play... |
Textual Production | Dorothy Brett | On 2 March 1930, when Lawrence
died in France, Brett was in New York City mourning her father's death little more than a month earlier and hoping to receive more positive news of Lawrence's condition... |
Textual Production | Aldous Huxley | The letters of D. H. Lawrence
, who had died two years previously, were published with AH
as editor by 29 September 1932. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press. 357 McDowall, Arthur Sydney. “Letters of D.H. Lawrence”. Times Literary Supplement, No. 1600, p. 673. 673 |
Textual Production | Catherine Carswell | Few of CC
's poems survive, but in 1916 she was regularly sending poetry to Lawrence
for critique. She was clearly choosing bleak material: his comments use the word stark three times in two sentences... |
Textual Production | Ketaki Kushari Dyson | For this column she reviewed authors such as Sylvia Plath
, D. H. Lawrence
, Thom Gunn
, Ted Hughes
, Cesare Pavese
, Eugene Ionesco
, Simone de Beauvoir
, Jorge Luis Borges
,... |
Textual Production | Githa Sowerby | Beecham
called the play a ferocious Geordie drama thick with dialect, diatribe and an unsparing depiction of the brutalities of the industrial north at the turn of the century. Beecham, Richard, and Patricia Riley. “Foreword”. Looking for Githa, New Writing North. |
Textual Production | Angela Carter | After AC
's death, in 1997, there appeared Shaking a Leg, a volume which collects her essays and journalism (including Lorenzo the Closet Queen, also titled The Naked Lawrence, the fruit of a lifelong love-hate relationship). Turner, Jenny. “A New Kind of Being”. London Review of Books, Vol. 38 , No. 21, pp. 7-14. 8 |
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