The London Stage 1660-1800. Southern Illinois University Press.
2: 107
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Performance of text | Susanna Centlivre | SC
's comedy The Basset Table opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 2: 107 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 68 |
Performance of text | Elizabeth Inchbald | The Wedding Day, a comedy by EI
, opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 5: 1700 |
Performance of text | Susanna Centlivre | SC
unveiled at Drury Lane
another comedy which was to hold the stage for generations: The Wonder: A Woman Keeps a Secret. The London Stage 1660-1800. Southern Illinois University Press. 2: 321 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 152 |
Performance of text | Catherine Cuthbertson | A play entitled Anna opened at Drury Lane
, ascribed to Miss Cuthbertson. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 385 |
Performance of text | Maria Theresa Kemble | MTK
's first play, the five-act comedy First Faults, had its single performance (a benefit), at Drury Lane
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 325 |
Performance of text | Susanna Centlivre | SC
's only mature tragedy, The Cruel Gift; or, The Royal Resentment (said to have been written in collaboration with Nicholas Rowe
, though its several editions give her name alone), opened at Drury Lane
. Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 207 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. English Short Title Catalogue. http://estc.bl.uk/. |
Occupation | David Garrick | Drury Lane Theatre
was left in parlous condition at the retirement of David Garrick
; the next manager to make his mark on it was Richard Brinsley Sheridan
, who now became joint-manager with three others. The London Stage 1660-1800. Southern Illinois University Press. 5: 5-6 |
Occupation | Anne Damer | AD
appeared in private theatricals first at her brother-in-law the Duke of Richmond
's, and later at Strawberry Hill. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 97 |
Occupation | David Garrick | |
Occupation | Clemence Dane | The posters, she later wrote, made her nice pocket-money. Dane, Clemence. London Has a Garden. Michael Joseph. 108 |
Occupation | Charlotte Charke | Colley Cibber
retired abruptly from managing Drury Lane
, passing it not to his son Theophilus
but to John Highmore
; Theophilus, CC
, and other performers defected to the illicit Little Theatre in the Haymarket
. Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 18 Morgan, Fidelis, and Charlotte Charke. The Well-Known Troublemaker: A Life of Charlotte Charke. Faber and Faber. 52-3 |
Occupation | Charlotte Lennox | Charlotte Ramsay (later CL
) first appeared on stage in London: at Drury Lane
, as Lavinia in The Fair Penitent by Nicholas Rowe
. The London Stage 1660-1800. Southern Illinois University Press. 3: 1214 |
Occupation | Charlotte Charke | Her career opened well. Next year she took the demanding role of Alicia in Nicholas Rowe
's Jane Shore. She became stock-reader or general understudy in the Drury Lane Company
, in which capacity she played Cleopatra. Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 18 |
Occupation | Mary Robinson | MR
made her stage debut at Drury Lane
as Juliet to William Brereton
's Romeo; she was an instantaneous success. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 26, 63 Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen. 87-9 |
Occupation | Sarah Gardner | Sarah Cheney (later SG
) made her first appearance on the London stage, before her marriage, as Congreve
's Miss Prue in Love for Love: A Comedy at Drury Lane
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 5: 463 |
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