Taylor, Debbie. “Hilary Mantel”. Mslexia, No. 30, pp. 46-8.
47
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth von Arnim | A month-long holiday that EA
took near Rapallo with her friends Maud Ritchie
and Mary Mallet
provided the inspiration for this book. It has seen many theatrical and movie versions. Campbell Kane
rewrote it as... |
Textual Production | Mary Wesley | It appeared exactly a year after she had finished the first draft (working title Period Piece) and put away the manuscript (written in ink on paper of A4 size, with lines but without margins)... |
Textual Production | Elizabeth Jenkins | EJ
wrote a play as a vehicle for her friend Baliol Holloway
, in which he collaborated with her, supplying the theatrical expertise and especially his sense of stage timing. He played Charles II
in... |
Textual Production | Hilary Mantel | Within not much more than a year of publication this novel had sold more than 65,000 copies, overturning its author's feeling of having always been a very modest seller. Taylor, Debbie. “Hilary Mantel”. Mslexia, No. 30, pp. 46-8. 47 |
Textual Production | Sybille Bedford | Into this work, SB
wrote later, she threw herself with a compound of conviction and self-doubt. Bedford, Sybille. Jigsaw. Penguin. ix |
Textual Production | E. M. Delafield | |
Textual Production | E. Arnot Robertson | |
Textual Production | Irene Handl | These were IR's only books. She also wrote for radio and contributed the introduction to The Listening Corner Storybook, published for the BBC
in 1985. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Deborah Levy | DL
has also written dramatic adaptations for BBC
radio of others' work: of Chance Acquaintances by Colette
, of Unless by Carol Shields
, and of Blood Wedding by Federico Garcia Lorca
, the last... |
Textual Production | Emmuska, Baroness Orczy | Following a silent film of 1928 entitled The Triumph of the Scarlet Pimpernel (from the novel of the same title, 1922), Orczy and Julia Neilson
gave permission for the filming of the work by London Film Productions |
Textual Production | Harold Pinter | Pinter began this work as a radio play. The BBC
archives hold a scene-by-scene plan he made for it, plus statements about overall themes and purpose. This plan was rejected in November 1958, but later... |
Textual Production | Muriel Spark | An Author's Note says that both stories and plays were written on the same creative wavelength, Spark, Muriel. Voices At Play. Penguin. 7 |
Textual Production | Elizabeth Jennings | She also joined with fellow-writers in letters to the Times on matters of public concern. She joined with forty well-known names (including Pamela Hansford Johnson
) on 25 September 1969 to defend keeping up the... |
Textual Production | Josephine Tey | Gordon Daviot
(also known as JT
) published a volume of eight one-act plays (of which all but one had been broadcast on BBC
Radio during the Second World War), Leith Sands, and Other Short Plays. Henderson, Jennifer Morag. Josephine Tey, a life. Sandstone Press. 225 Roy, Sandra. Josephine Tey. Twayne. 25 |
Textual Production | Shelagh Delaney | BBC television
ran The House that Jack Built, a six-part series written by SD
about the marriage of a couple the author describes as a cowboy and a madonna. Cunningham, John. “The Salford Madonna”. The Guardian. |
No bibliographical results available.