Royal Literary Fund

Connections

Connections Sort descending Author name Excerpt
Textual Production Mary Ann Radcliffe
In 1871 the author of Manfroné (which was reprinted by Minerva Press in 1819 and 1828) was identified in Notes and Queries as a different Mary Ann Radcliffe, who lived in Durham and was a...
Textual Production Mary Matilda Betham
Some time after printing her Vignettes: in VerseMMB was planning a book to be called Crow-Quill Flights. A certain incoherence of style in the preface (which is all that survives) suggests that it...
Textual Production Phebe Gibbes
PG chose anonymity for what seems to be her next novel, the epistolary History of Eliza Musgrove.
Some reference sources attribute this work to Mrs A. Woodfin , but PG told the Royal Literary Fund
Textual Production Elizabeth Inchbald
A contemporary note in the Harvard copy of The History of Miss Sommerville, published anonymously (as a Lady) in 1769, erroneously attributes it to Mrs Inchbauld. This, however, is too early a...
Textual Production Adelaide O'Keeffe
AOK , a recipient of Royal Literary Fund charity since 1833, became probably the only author ever to question the Fund's methods, setting out by letter her detailed proposals for reforming the system.
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Phebe Gibbes
The anonymous Zoraida; or, Village Annals. A Novel appeared; though the English Short Title Catalogue and other sources ascribe it to Anne Hughes , PG later told the Royal Literary Fund she had written it.
Raven, James. “Historical Introduction: The Novel Comes of Age”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 14-117.
41
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 380
Textual Production Sarah Scudgell Wilkinson
There was published by W. Mason in two volumes The Spectre of Lanmere Abbey, or The Mystery of the Blue and Silver Bag; A Romance, with SSW 's name.
Her name appears, as usual...
Textual Production Phebe Gibbes
PG reported to the Royal Literary Fund her unsubduable aspiration . . . to perfect before she dies, a work that will evince, she has not lived in vain. She had such a work on...
Textual Production Isabella Kelly
IK , as Catherine Harris, published with Minerva Press an epistolary novel, Edwardina, dedicated to Mrs Souter Johnston .
IK told the Royal Literary Fund she was the author of this novel.
Archives of the Royal Literary Fund, 1790-1918.
Bibliographers...
Textual Production Isabella Kelly
IK told the Royal Literary Fund that she had written part of a historical novel, but found it hard to complete because of her sense that literary styles had changed.
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Sarah Scudgell Wilkinson
Among works that SSW claimed when corresponding, late in life, with the Royal Literary Fund were a Life of Alfred the Great and a work entitled Romance and Reason in two volumes.
Textual Production Sarah Scudgell Wilkinson
After 1812: SSW , now a teacher, returned to her early interest in children's books, and produced, she told the Royal Literary Funda vast number of books, of which she can pretend no merit...
Textual Production Anne Burke
Following this highly productive year, AB wrote several times more to beg for subsistence from the Royal Literary Fund . Despite her still generally favourable reviews, she ceased to refer, as she had in her...
Textual Production Phebe Gibbes
PG issued a third novel this same year, The Fruitless Repentance; or, The History of Miss Kitty Le Fever (reprinted in facsimile by Garland in 1974).
Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, p. xi - lvii.
xiv n16
She told the Royal Literary Fund that...
Textual Production Isabella Kelly
IK told the Royal Literary Fund that she had written ten novels. But it seems she underestimated: in addition to the eleven mentioned below, she listed an untraced title (not listed by OCLC or The...

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