Archives of the Royal Literary Fund, 1790-1918.
Royal Literary Fund
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Ann Radcliffe | In 1871 the author of Manfroné (which was reprinted by Minerva Press
in 1819 and 1828) was identified in Notes and Queries as a different Mary Ann Radcliffe, who lived in Durham and was a... |
Textual Production | Mary Matilda Betham | Some time after printing her Vignettes: in VerseMMB
was planning a book to be called Crow-Quill Flights. A certain incoherence of style in the preface (which is all that survives) suggests that it... |
Textual Production | Phebe Gibbes | |
Textual Production | Elizabeth Inchbald | A contemporary note in the Harvard
copy of The History of Miss Sommerville, published anonymously (as a Lady) in 1769, erroneously attributes it to Mrs Inchbauld. This, however, is too early a... |
Textual Production | Adelaide O'Keeffe | AOK
, a recipient of Royal Literary Fund
charity since 1833, became probably the only author ever to question the Fund's methods, setting out by letter her detailed proposals for reforming the system. |
Textual Production | Phebe Gibbes | The anonymous Zoraida; or, Village Annals. A Novel appeared; though the English Short Title Catalogue and other sources ascribe it to Anne Hughes
, PG
later told the Royal Literary Fund
she had written it. Raven, James. “Historical Introduction: The Novel Comes of Age”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 14-117. 41 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 380 |
Textual Production | Sarah Scudgell Wilkinson | |
Textual Production | Phebe Gibbes | PG
reported to the Royal Literary Fund
her unsubduable aspiration . . . to perfect before she dies, a work that will evince, she has not lived in vain. She had such a work on... |
Textual Production | Isabella Kelly | IK
, as Catherine Harris, published with Minerva Press
an epistolary novel, Edwardina, dedicated to IK
told the Royal Literary Fund
she was the author of this novel. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Isabella Kelly | IK
told the Royal Literary Fund
that she had written part of a historical novel, but found it hard to complete because of her sense that literary styles had changed. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Sarah Scudgell Wilkinson | Among works that SSW
claimed when corresponding, late in life, with the Royal Literary Fund
were a Life of Alfred the Great and a work entitled Romance and Reason in two volumes. |
Travel | Emma Marshall | EM
visited Bordighera in Italy and Cannes in France, with a travel or holiday grant from the Royal Literary Fund
. Marshall, Beatrice. Emma Marshall. Seeley. 242-5 |
Wealth and Poverty | Henrietta Rouviere Mosse | HRM
's continuing financial straits forced her to re-apply to the Royal Literary Fund
as a widow, not on her husband's account but her own (trusting, she said, to their kindness rather than to her merit). Archives of the Royal Literary Fund, 1790-1918. |
Wealth and Poverty | Margaret Croker | She seems to have inherited poverty from her father, following in his footsteps as an applicant to the Royal Literary Fund
. She received a grant from the Fund in 1818, and made further applications... |
Wealth and Poverty | Adelaide O'Keeffe | It is not clear whether social or literary standing caused her to rank so much lower than Morgan. The Royal Literary Fund
continued to support O'Keeffe with petty sums: fifteen pounds in 1861, in 1863... |
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