Williams, Sir John Bickerton, and Sarah Savage. Memoirs of the Life and Character of Mrs. Sarah Savage. Holdsworth and Ball.
x
Connections Sort descending | Author name | Excerpt |
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Textual Production | Sarah Savage | She intended it as a record of the workings of my heart. Williams, Sir John Bickerton, and Sarah Savage. Memoirs of the Life and Character of Mrs. Sarah Savage. Holdsworth and Ball. x |
Textual Production | Lady Caroline Lamb | Critic Paul Douglass
says this manuscript is missing from among the Byron papers in the Bodleian Library
. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1n1 |
Textual Production | Annie Louisa Walker | The British Library
and Bodleian Library
hold only an undated edition for which they surmise a date of 1894. The unique Cornell
copy of the Homespun Series edition listed by OCLC WorldCat includes publisher's advertisements. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Ruby M. Ayres | Forty-one years after the appearance of her first novel, RMA
issued her last, Love Without Wings. Dark Gentleman had appeared by the end of May in the same year. Dark Gentleman was acquired by... |
Textual Production | Nancy Cunard | In 1943 NC
began to work on collecting her poetry for an edition, as advised by Edward John Thompson
, a fellow political radical and poetry editor for Benn
publishers. The edition came to nothing... |
Textual Production | Christabel Pankhurst | OCLC lists forty copies of this publication surviving in libraries (many at bible colleges or theological seminaries), but not one outside North America: the title is not held by the British Library
, the Bodleian |
Textual Production | Germaine Greer | A series of columns written by GG
for the satirical magazine Private Eye under the pseudonym Rose Blight appeared as a little book entitled The Revolting Garden, with pictures by Michael ffolkes
. Dated... |
Textual Production | Anna Seward | They survive as Bodleian
MS Pig. d. 12. |
Textual Production | Cecily Mackworth | In The Mouth of the SwordCecily Mackworth
wrote about her experiences in travelling around the war-ravaged Middle East, and about the birth of the state of Israel. Dated from the Bodleian Library
acquisition stamp. Hewett, Christopher, editor. The Living Curve : Letters to W. J. Strachan, 1929-1979. Taranman. 115 Bowker, Gordon. “Obituary: Cecily Mackworth”. The Independent. |
Textual Production | Dorothy Wellesley | DW
published Early Light, a collection of her poems which she intended to embody everything that she wished to preserve. Dated from the Bodleian Library
acquisition stamp. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | May Edginton | After a writing career of more than forty-five years, ME
published her last novel, Two Lost Sheep, under this usual pseudonym. The Bodleian
catalogue gives this title as Two Lost Sleep. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Harold Pinter | The Greville Press
published HP
's Six Poems for A as one of its Greville Press Pamphlets. This is dated from the Bodleian Library
acquisition stamp. Fraser, Antonia. Must You Go?. Random House of Canada. 315 |
Textual Production | Margaret Holford | After her marriage Margaret Hodson published through John Murray
in 1827 a volume of hymns designed especially for those facing death, written or else collected by herself. In September that year Joanna Baillie
thanked her... |
Textual Production | Anne Marsh | Her introduction gives a glimpse into her scholarly command of her subject. She explains the persuasiveness of the historical testimony that Taillefer sang this song before the battle of Hastings in 1066, but how no... |
Textual Production | Elizabeth Pipe Wolferstan | A different edition of this poem, including the same preface but without a title-page and having the translation printed straight through without the Latin original, forms part of an interesting composite volume held by the... |
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