Bodleian Library

Connections

Connections Sort descending Author name Excerpt
Textual Production Sarah Savage
She intended it as a record of the workings of my heart.
Williams, Sir John Bickerton, and Sarah Savage. Memoirs of the Life and Character of Mrs. Sarah Savage. Holdsworth and Ball.
x
Such a record was important in what Patricia Crawford has described as the family ideology of the Henrys. Diaries by SS 's...
Textual Production Lady Caroline Lamb
Critic Paul Douglass says this manuscript is missing from among the Byron papers in the Bodleian Library .
Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol.
8
, pp. 1-24.
1n1
Textual Production Annie Louisa Walker
The British Library and Bodleian Library hold only an undated edition for which they surmise a date of 1894. The unique Cornell copy of the Homespun Series edition listed by OCLC WorldCat includes publisher's advertisements.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Textual Production Ruby M. Ayres
Forty-one years after the appearance of her first novel, RMA issued her last, Love Without Wings. Dark Gentleman had appeared by the end of May in the same year.
Dark Gentleman was acquired by...
Textual Production Nancy Cunard
In 1943 NC began to work on collecting her poetry for an edition, as advised by Edward John Thompson , a fellow political radical and poetry editor for Benn publishers. The edition came to nothing...
Textual Production Christabel Pankhurst
OCLC lists forty copies of this publication surviving in libraries (many at bible colleges or theological seminaries), but not one outside North America: the title is not held by the British Library , the Bodleian
Textual Production Germaine Greer
A series of columns written by GG for the satirical magazine Private Eye under the pseudonym Rose Blight appeared as a little book entitled The Revolting Garden, with pictures by Michael ffolkes .
Dated...
Textual Production Anna Seward
They survive as Bodleian MS Pig. d. 12.
Textual Production Cecily Mackworth
In The Mouth of the SwordCecily Mackworth wrote about her experiences in travelling around the war-ravaged Middle East, and about the birth of the state of Israel.
Dated from the Bodleian Library acquisition stamp.
Hewett, Christopher, editor. The Living Curve : Letters to W. J. Strachan, 1929-1979. Taranman.
115
Bowker, Gordon. “Obituary: Cecily Mackworth”. The Independent.
Textual Production Dorothy Wellesley
DW published Early Light, a collection of her poems which she intended to embody everything that she wished to preserve.
Dated from the Bodleian Library acquisition stamp.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Textual Production May Edginton
After a writing career of more than forty-five years, ME published her last novel, Two Lost Sheep, under this usual pseudonym.
The Bodleian catalogue gives this title as Two Lost Sleep.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Textual Production Harold Pinter
The Greville Press published HP 's Six Poems for A as one of its Greville Press Pamphlets.
This is dated from the Bodleian Library acquisition stamp.
Fraser, Antonia. Must You Go?. Random House of Canada.
315
Textual Production Margaret Holford
After her marriage Margaret Hodson published through John Murray in 1827 a volume of hymns designed especially for those facing death, written or else collected by herself. In September that year Joanna Baillie thanked her...
Textual Production Anne Marsh
Her introduction gives a glimpse into her scholarly command of her subject. She explains the persuasiveness of the historical testimony that Taillefer sang this song before the battle of Hastings in 1066, but how no...
Textual Production Elizabeth Pipe Wolferstan
A different edition of this poem, including the same preface but without a title-page and having the translation printed straight through without the Latin original, forms part of an interesting composite volume held by the...

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