Crawford, Robert. “Locked and Barred”. London Review of Books, pp. 31-2.
31
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Helme | William Helme provided no information of any kind, but the Bodleian Library
copy has a Longman
advertisement for other books bound in at the end, dated April 1814. A second edition appeared in 1817. |
Textual Production | Mary Sidney Herbert, Countess of Pembroke | She went on working at them later, developing her skills as she went on, and doing a great deal of revision. Her critic Gary F. Waller
believes that she kept two working drafts simultaneously in... |
Textual Production | Bathsua Makin | The Bodleian Library
holds poems by BM
(not indexed under M); the British Library
has a copy of Musa Virginea with a note on the final page in her writing. The Huntington Library
has her... |
Textual Production | Anna Steele | Braintree is only about six miles from Steele's home, Rivenhall Place, and she later published her play, too, locally. This text is not in the Bodleian
or Cambridge University Library
and not listed by... |
Textual Production | Helen Maria Williams | Letters from her survive at the Huntington Library
, the Bodleian Library
, and the Wellcome Library
. |
Textual Production | John Strange Winter | In over a hundred novels, JSW
addressed a diverse range of subjects and genres. She continued to write throughout her career the tales of military life which were her first productions: her further titles in... |
Textual Production | Frances Brooke | There are in fact further (though highly speculative) grounds to suspect an involvement of FB
(lately Frances Moore) in The World. A set of it now in the Bodleian Library
has had contributors' names... |
Textual Production | Margiad Evans | Both the British Library
and the Bodleian
library catalogues list ME
as joint compiler (with K. Lawson, that is Kenneth Charles Lawson
) of an anthology entitled Contemporary Verse, 1949. Her biographers, however, do... |
Textual Production | Elizabeth Jennings | EJ
had the habit of sending quantities of undifferentiated manuscripts to her Carcanet Press
editor, Michael Schmidt
, for him to sort, select, and arrange for print. Crawford, Robert. “Locked and Barred”. London Review of Books, pp. 31-2. 31 |
Textual Production | Barbara Pym | BP
began keeping a diary in 1931. Her papers are archived at the Bodleian Library
, Oxford University
. (BP
took her degree at St Hilda's College
.) This material includes unpublished poems, short... |
Textual Production | Susan Miles | SM
published her second and final prose novel, entitled Rabboni (the Hebrew word for Master, uttered by Mary Magdalen in the garden to the resurrected Christ). She dedicated it to Storm Jameson
. Dated from... |
Textual Production | Elizabeth Thomas | She says that at some time a publisher offered her £30 for a Manuscript Folio of my Poems Thomas, Elizabeth, and Richard Gwinnett. Pylades and Corinna. 2: 289 |
Textual Production | Mary Shelley | But the task turned out harder than she had anticipated. The manuscripts recording her struggles to shape this material survive among the Abinger MSS in the Bodleian Library
. Conger, Syndy McMillen. “Multivocality in Mary Shelley’s Unfinished Memoirs of Her Father”. European Romantic Review, Vol. 9 , No. 3, pp. 303-22. 303 |
Textual Production | Rose Allatini | RA
published, undated, with publishers Andrew Melrose
, Payment, a novel which traces a young male life as bitterly ended as the young female life in ". . . Happy Ever After". Dated... |
Textual Production | Laura Ormiston Chant | LOC
published Sellcuts' Manager, her only novel. The British Library
catalogues this work as Sellcuts's Manager and the Bodleian
as Sellcut's Manager. The Academy. 1430 (1899): 336 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
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