Dowson, Jane. “What is the true standing of Oxford poet Elizabeth Jennings?”. Oxford Today, 23 Oct. 2016.
Michael Schmidt
Standard Name: Schmidt, Michael
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Elizabeth Daryush | In 1969 the poet Roy Fuller
, about to lecture on syllabics at Oxford
and planning to centre his remarks on Marianne Moore
, discovered just in time how important ED
's experiments were in... |
Literary responses | Elizabeth Jennings | Some years later Michael Schmidt
, who founded Carcanet
in Oxford before moving it to Manchester, commented that Jennings was the highest-selling poet on his list, and one of the highest in the country. |
Reception | Elizabeth Daryush | ED
's Times obituary called her a self-possessed traditionalist, unimpressed by the twentieth century, with a clear mind, an agile and introspective wit, and nobility of rhythm,but with no gift for metaphor and other... |
Textual Features | Elizabeth Jennings | Every Changing Shape was reprinted in 1996 by Carcanet Press
with a foreword by Michael Schmidt
. It collects essays on Christian writers and mystics that address the way that faith informs the creative imagination... |
Textual Production | E. J. Scovell | After this EJS
issued no further collection for more than a quarter of a century. She was, she said, afraid of repeating herself or of writing a fake mystical poem. qtd. in Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Elizabeth Jennings | EJ
had the habit of sending quantities of undifferentiated manuscripts to her Carcanet Press
editor, Michael Schmidt
, for him to sort, select, and arrange for print. Crawford, Robert. “Locked and Barred”. London Review of Books, 24 July 2003, pp. 31-2. 31 |
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