British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
British Library
Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Rumer Godden | The British Library
, however, has three copies. |
Family and Intimate relationships | Elizabeth Sarah Gooch | |
Textual Production | Catherine Gore | Henry Colburn
exploited the publicity created by the association of CG
's Mrs. Armytage with a sensational murder: it is said that he promptly re-issued the novel. The catalogues of the British Library
and Bodleian |
Textual Production | Sarah Grand | SG
first appeared in print with her novel Two Dear Little Feet: a morality tale about the dangers posed to women's health by fashionable, too-tight boots. Scholars like Gillian Kersley
, Ann Heilmann
... |
Reception | Sarah Grand | At her death, SG
left all her manuscripts, copyrights, and published works to her step-granddaughter, Elizabeth Genevieve Bernadine Crawford Haldane McFall
, daughter of Haldane McFall
. Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press. 334-5, 100 |
Reception | Anne Grant | AG
's popularly best-known poem today (though it is known without her name) must be Oh where, tell me where, is your Highland Laddie gone?. The British Library
catalogue lists under Grant's name a... |
Textual Production | Sarah Green | The literary-critical preface, unusually for such a satirical work, bears her intials. Green says she has reasons for concealing her name, but will affix the REAL initials of that name to this advertisement. .... |
Textual Production | Constantia Grierson | CG
's poem is pasted to the endpapers. There are copies in the British Library
and in the possession of A. C. Elias
, Jr. |
Textual Production | Constantia Grierson | A political poem in CG
's volume (untitled, about the willingness of the Anglo-Irish gentry to spend any money to get into the purely figurehead Irish Parliament
) also survives in a copy among Lord Oxford |
Textual Production | Charlotte Guest | On 12 April 1836 CG
wrote in her diary, I am iron now. This was a kind of pun: she meant that her life is altered into one of action, not of sentiment... |
Occupation | Charlotte Guest | From the time of her marriage Lady CG
took a keen interest in Welsh culture. When attention to her first baby left her short of leisure time, her Welsh studies took priority while Persian lapsed... |
Leisure and Society | Charlotte Guest | Lady CG
enjoyed cultured activities like the theatre and the opera throughout her life. Reading Jane EyreCharlotte Brontë
in December 1850 she thought it singular . . . written with force but coarseness, and not of... |
Family and Intimate relationships | H. D. | Aldington was about six years younger than HD; they were introduced to one another by Pound in early 1912, and at first their courtship was largely conducted in his presence, as the three studied and... |
Textual Production | Martha Hale | Subscribers included the Prince of Wales
and other royalty, Elizabeth, Margravine of Anspach
, Georgiana, Duchess of Devonshire
, her daughter the Countess of Carlisle
, Charles Burney
, Warren Hastings
, Miss De Camp (later Maria Theresa Kemble) |
Textual Production | Anne Halkett | Part of her manuscript (now British Library
Add. MS 32376) had been lost or destroyed before this printing, leaving small gaps here and there, and breaking off in 1656. Halkett, Anne, and Ann, Lady Fanshawe. “Note on the Text; A Chronology of Anne, Lady Halkett”. The Memoirs of Anne, Lady Halkett and Ann, Lady Fanshawe, edited by John Loftis, Clarendon Press, pp. 3-7. 3 |
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