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Chawton House Library
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Frances Burney | In April 1780 the author's cousin Edward Francisco Burney
illustrated Evelina in three stained drawings. The one for volume two shows the heroine in her mood of depression after returning home from her visit... |
Textual Production | Sarah Green | The literary-critical preface, unusually for such a satirical work, bears her intials. Green says she has reasons for concealing her name, but will affix the REAL initials of that name to this advertisement. .... |
Textual Production | Mary Leadbeater | It had a preface and notes by Maria Edgeworth
, who did not know ML
very well personally but was impressed by the book. The Chawton House Library
copy is one presented by Edgeworth to... |
Textual Production | Michèle Roberts | In November 2011 MR
edited Wooing Mr Wickham, a collection of stories inspired by Jane Austen
or by Chawton House. |
Textual Production | Sarah Butler | Since some scholars believe that SB
was not a woman but a pseudonym, other names have been put forward for authorship. They include Charles Gildon
(who supplied the dedicatory epistle), or the Jacobite translator and... |
Textual Production | Mary Robinson | Violet Fane
's inscribed copy is now at Chawton House Library
. |
Textual Production | Maria Callcott | Some of MC
's manuscripts (owned by Rosamund Brunel Gotch
in 1937) are now in the Bodleian Library
. A collection of her sketches (including many of the drawings which accompanied her journal of her... |
Textual Production | Mary Shelley | MS
began to work seriously on this novel in late 1820. Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol. 6 , No. 3, pp. 413-24. 414 Chawton House Library Catalogue. http://www.chawton.org/library/index.html. |
Textual Production | Margaret Cavendish | The frontispiece depicts her standing in a classically architectural niche flanked by figures of Athena and Apollo. Lines of poetry below advise the onlooker not to concentrate on her beauty but View her Soul's Picture... |
Textual Production | Mary Martha Sherwood | A number of letters of MMS
are extant. Chawton House Library
holds a dozen of them. Chawton House Library Catalogue. http://www.chawton.org/library/index.html. |
Textual Production | Mary Charlton | This novel was advertised as soon to be published in July (at which date the title was to be Laure; or, The Parisian), and as recently published on 30 October. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1 |
Textual Production | Mary Martha Sherwood | Chawton House Library
has acquired two unpublished stories by MMS
. One, of 128 pages, untitled but beginning There is a beautiful valley, is dated to 1828. It comprises about 20,000 words, of which only... |
Residence | Jane Austen | After four and a half years they had a permanent home again, provided for them by Edward Austen Knight
on his Chawton estate. The red-brick cottage stands in the main road of the village, only... |
Reception | Germaine de Staël | Benjamin Constant
, formerly the lover of GS
, represented her in his novel Adolphe as a woman whose mind was the most wide-ranging of any woman ever, and perhaps of any man, Kobak, Annette. “Mme de Staël and Fanny Burney”. The Burney Journal, Vol. 4 , pp. 12-35. 26 |
Reception | Penelope Aubin | The borrowed text expands in a few places (but only in the early pages) and renames the characters (making a few slips), but otherwise changes nothing. This barefaced plagiarism remained undetected until Bonnie Kulik
discovered... |
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