The London Stage 1660-1800. Southern Illinois University Press.
5: 952
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Elizabeth Inchbald | Several known plays by EI
were never published. All on a Summer's Day, 1787 (about a couple ill-matched in age), and The Hue and Cry, 1791, are known only from the copies provided... |
Performance of text | Elizabeth Inchbald | Such Things Are, a comedy by EI
, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 952 |
Performance of text | Elizabeth Inchbald | EI
's five-act comedy All on a Summer's Day had its first production, at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 1027 |
Performance of text | Felicia Hemans | FH
's The Vespers of Palermo was produced at London's Covent Garden
theatre with Charles Kemble
in the lead role; it was published the same year. Hughes, Harriet Browne Owen, and Felicia Hemans. “Memoir of Mrs. Hemans”. The Works of Mrs. Hemans, W. Blackwood, pp. 1-315. 70 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 277 Hemans, Felicia. The Vespers of Palermo. John Murray. |
Employer | Elizabeth Griffith | EG
became a member of the London stage community when she joined the Covent Garden
theatre company. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Performance of text | Elizabeth Griffith | EG
's comedy The Double Mistake opened at Covent Garden Theatre
: in contrast to her first effort it ran well, bringing her several benefits and a royal command performance. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxx Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Performance of text | Elizabeth Griffith | EG
's comedy A Wife in the Right opened at Covent Garden Theatre
, only to be damned for Edward Shuter
's bad acting and fluffing his lines (he was drunk on stage). The London Stage 1660-1800. Southern Illinois University Press. 4: 1567 |
Publishing | Elizabeth Griffith | |
Occupation | David Garrick | Garrick proposed to charge full price, instead of half, for arrivals after the third act. Riots followed at Covent Garden
(the other licensed theatre) the next month. |
Occupation | David Garrick | Covent Garden
imitated Drury Lane one month later. |
Family and Intimate relationships | Eliza Fenwick | EF
arranged for her daughter Eliza Anne
to give lessons in the Mocatta household in drawing and singing. Paul, Lissa. Eliza Fenwick, Early Modern Feminist. University of Delaware Press. 119 |
Performance of text | Elizabeth, Margravine of Anspach | EMA
resumed play-writing when she and her second husband were re-settled in London, opening their first season at Brandenburg House in Fulham in autumn 1792. Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii. lxxxvi |
Performance of text | Elizabeth Cooper | Elizabeth Cooper
's comedy The Rival Widows; or, Fair Libertine opened at Covent Garden
, where it ran for long enough to give her the profits of two benefit nights. The London Stage 1660-1800. Southern Illinois University Press. 3: 463, 464, 466 |
Textual Production | Barbarina Brand, Baroness Dacre | Another play by BBBD
, called Isaure and having as protagonist a refined patrician beauty, Kemble, Fanny. Records of a Girlhood. Henry Holt. 383 |
Performance of text | Joanna Baillie | The Separation. A Tragedy, in Five Acts, by JB
, was first staged at Covent Garden
, London. This play does not appear to have been published. Carhart, Margaret S. The Life and Work of Joanna Baillie. Archon Books. 159 |
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