Walker, Dorothea. Sheila Kaye-Smith. Twayne, 1980.
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Connections Sort descending | Author name | Excerpt |
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Occupation | Catharine Amy Dawson Scott | She served as the club's organizer and hostess. She intended it as a space where fledgling writers could gather and make contact with established authors. Her friend J. D. Beresford
, novelist, was the club's... |
Reception | Elinor Mordaunt | |
Residence | Rumer Godden | They then moved out of London, after living there for six years, to an estate called Little Doucegrove in Northiam, East Sussex, where for the first time RG
employed a gardener (who went... |
Textual Features | Catharine Amy Dawson Scott | This powerful novel belongs to the rural-inheritance genre, as practised about this time by Mary Webb
and Sheila Kaye-Smith
, and as later mocked by Stella Gibbons
. Like the work of Webb and Kaye-Smith... |
Textual Production | Monica Furlong | This saint had already attracted a number of English women writers: Evelyn Underhill
, Sheila Kaye-Smith
, and Vita Sackville-West
(the only one in Furlong's bibliography). A new edition of MF
's book appeared in 2001. |
Textual Production | Evelyn Underhill | EU
wrote several biographical articles on religious figures, including St Paul
, Julian of Norwich
, Angela de Foligno
, Kabir
, St Thérèse of Lisieux
, and Devendranath Tagore
(father of poet Rabindranath Tagore |
Textual Production | Rumer Godden | Olga Sarah Manders had trained under great chefs; she began cooking for Godden because she had cooked for Sheila Kaye-Smith
. |
Textual Production | G. B. Stern | Sheila Kaye-Smith
and GBS
jointly published Talking of Jane Austen, an attempt at an informal record of their endless conversations about a novelist they both loved. Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. 87 |
Textual Production | Storm Jameson | Jameson had been approached by the Ministry of Information
once the USA had entered World War II, for suggestions on how to cement Anglo-American relations. Jameson, Storm. Journey from the North. Harper and Row, 1970. 524 |
Textual Production | G. B. Stern | This book may quite likely be the successor to a projected biography of Sheila Kaye-Smith
, which was lined up for publication in 1955, but seems to have fallen victim to the financial precariousness of... |
Textual Production | G. B. Stern | In 1954 GBS
and Sheila Kaye-Smith
collaborated once again, on He Wrote Treasure Island, The Story of Robert Louis Stevenson. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | G. B. Stern | This was before she and Sheila Kaye-Smith
published their joint biography of Stevenson, 1954. GBS
was later asked by J. C. Furnas
to write a serious historical monograph on the tramp character, who had now... |
Theme or Topic Treated in Text | Ella Hepworth Dixon | In a chapter devoted to Some Women Writers she praises, among others, Sheila Kaye-Smith
, Margaret Kennedy
(particularly for The Constant Nymph), Elizabeth von Arnim
, and Violet Hunt
. Authors who receive whole... |
Theme or Topic Treated in Text | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? qtd. in Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. prelims |
Travel | G. B. Stern | Towards the end of the first world war GBS
arrived (together with Sheila Kaye-Smith
) in the artists' and writers' colony at St Merryn in Cornwall. In the early nineteen-thirties she spent a good... |
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