Women’s Writing in the British Isles from the Beginnings to the Present
Frances Burney
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Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB
, renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.
The title-page of volume one of Graham Hamilton quotes Burns
; the second quotes Swift
denouncing scandal. Though quieter, this novel again displays splendid satirical energy. It contains only one lyric (written by Nathan for...
Intertextuality and Influence
Elizabeth Ham
The story, set in Anglo-Saxon England, is that treated by Frances Burney
in her only play to reach the stage during her lifetime, Edwy and Elgiva. EH
was too young as well as...
Intertextuality and Influence
Nancy Mitford
This is another worldly satirical comedy. The parents in question are divided by nationality (Grace is English, Charles is French) and class (bourgeoisie and nobility). Their son Sigismund, or Sigi, delights in setting one against...
Intertextuality and Influence
Mary Lamb
The littlest girl of all is already worried by social pressures to conform: she discloses the shameful fact that the flowers she loves best are the common buttercup, and the daisy which is reckoned the...
Intertextuality and Influence
Elizabeth Isabella Spence
She does get away in the end and acquires several supporters (Lady Barbara Arden, Lord Dorringcourt, and his sister Lady Elinor), while Lord Valville is left to plot revenge with feelings even more diabolic than...
Intertextuality and Influence
Anna Maria Mackenzie
Also on the boat, Adolphus meets a fourteen-year-old apparent orphan, Mary St Leger, and her saintly missionary uncle. Mary's guardian is not her uncle but the repellant Mr Abrams, who once in England encourages an...
Intertextuality and Influence
Elizabeth Pipe Wolferstan
A few statements are footnoted to their originators, whom EPW
has either paraphrased or versified: Sherlock and Lavater
are her favourites, but she also draws on lighter writers like Horace
, Swift
, and Coleridge
Intertextuality and Influence
Mrs E. M. Foster
Judith, the remaining MEMF
novel of 1800, is attributed to the author of Rebecca, Miriam, and Fitzmorris &c. There was German translation in 1802.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 115
The incredibly complex plot follows...
Intertextuality and Influence
Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95
Intertextuality and Influence
Beatrix Potter
BP
was not content with her success as a children's writer, but hankered to establish herself as an author for adults. Her references in her private writings to Burney
(a propos of her first appearance...
Intertextuality and Influence
Elizabeth Strutt
Influence of Frances Burney
's Evelina is perceptible here, and influence of Jane Austen
seems at least a possibility: a family estate is named Maple Grove, as in Emma, and the heroine's marriage to...
Intertextuality and Influence
Julia Frankau
This tie broadens the social scope of the novel. Karl is Jewish but not an observant Jew. He wishes he could believe in Christianity for its redeeming message and wants to extend that choice to...
Intertextuality and Influence
Catherine Cuthbertson
The troubles of the pattern, orphan heroine, Julia De Clifford, are fairly conventional. Her father was the younger son of a noble family, disinherited in spite of being a military hero; when she enters fashionable...
AMB
's usual huge cast of characters ranging from satirical to sentimental is introduced by a preface signed by one of them, explaining that what follows will be the autobiographical tale of her chequered existence...
