Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, 1991, pp. 120-42.
129
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Reception | Elizabeth Griffith | |
| Reception | Susanna Centlivre | SC
hinted in A Woman's Case that her husband was upset at her threatening his livelihood with the political rashness of her dedication. The man-in-skirts role became a favourite of David Garrick
, which kept... |
| Reception | Frances Brooke | David Garrick
emphatically warned Marie-Jeanne Riccoboni
against using FB
as a translator again in the future. Garrick, David. Letters. Editors Little, David M. and George M. Kahrl, Belknap Press of Harvard University Press, 1963, 3 vols. 461 |
| Textual Features | Madeleine Lucette Ryley | Mice and Men is about a male middle-aged guardian who falls in love with his ward, a girl. This situation had already been seen on stage, and critics likened the play to earlier versions of... |
| Textual Features | Susan Smythies | In this third-person narrative (again well supplied with subsidiary, episodic stories) Lucy is a well-bred ideal orphan, who is discovered by Mrs Goodall, a benevolent widow of fifty-nine, living with the vulgar and unpleasant Searls... |
| Textual Features | Georgina Munro | A debauched earl is the narrator of this novel, which, typically for the genre, is peopled by characters from the gentry and the upper classes. Athenæum. J. Lection. 744 (1842):110 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
| Textual Features | Frances Brooke | The periodical's theatre reports, provided by a little court of female criticism Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xiv Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xiv |
| Textual Production | Sarah Fielding | SF
sent David Garrick
the draft of an unfinished play; it remains unpublished, unperformed, and lost. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli. xxxix-xl |
| Textual Production | Hannah More | |
| Textual Production | Hannah More | She had worked on it that spring, sending it one act at a time to David
and Eva Maria Garrick
, who were trenchantly and helpfully critical. David wrote a prologue and epilogue. Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952. 34 |
| Textual Production | Hannah More | HM
probably gave up the theatre (both writing for it and attending plays) less because of the loss of David Garrick
or the conflict with Hannah Cowley
than because of her religious belief, which presented... |
| Textual Production | Hannah More | More said she was drawn to Montagu less by the lustre of your understanding, than by the amiable qualities of your heart. More, Hannah. Essays on Various Subjects. J. Wilkie, T. Cadell, 1777. prelims |
| Textual Production | Hannah More | Dragon was David Garrick
's dog. |
| Textual Production | Elizabeth Griffith | Many of EG
's letters to Garrick
survive on film among Papers of David Garrick at the Victoria and Albert Museum
. A few of her holograph letters to other people are at Harvard
. |
| Textual Production | Charlotte Lennox | Lennox made the adaptation at Garrick
's suggestion, following an unsuccessful one by Robert Dodsley
decades earlier. Carlile, Susan. Charlotte Lennox. An Independent Mind. University of Toronto Press, 2018. 259 |
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