Vita Sackville-West

-
Standard Name: Sackville-West, Vita
Birth Name: Victoria Mary Sackville-West
Nickname: Mar
Self-constructed Name: Vita Sackville-West
Self-constructed Name: V. Sackville-West
Married Name: Victoria Mary Nicolson
Self-constructed Name: Julian Sackville-West
Self-constructed Name: David Sackville-West
Styled: the Honourable Victoria Mary Sackville-West
VSW wrote prolifically and almost obsessively from her childhood in the early twentieth century. She began with poems, plays, and fiction about her family's romantic links to English history. As an adult she used these genres to describe or transform her own complicated love-life: lesbian relationships, triangular relationships, love between masculine women and feminine men. Her best-known poems, The Land and The Garden, create classically-descended georgic from the traditional labour of the Kentish countryside, and the related art of gardening. Many novels (some she called pot-boilers) use conventional style to delineate upper-class society, but she also made forays (first inspired by Virginia Woolf ) into the experimental. She wrote history, biography, travel books, diaries, and letters. She was a popular and productive journalist, both in print and on the radio, whose topics included literature, gardening, and the status of women (though she refused the label of feminist). Her gardening writings and her actual gardens remain her best-known works. Her masterpiece, the Sissinghurst gardens, are the most-visited in Britain.

Connections

Connections Sort descending Author name Excerpt
Literary responses Emily Jane Pfeiffer
In an essay on poetry of the 1870s, Vita Sackville-West linked Peace to the Odalisque to the beginning of all this stirring about women's rights, and women's equality,
Sackville-West, Vita. “The Women Poets of the Seventies”. The Eighteen-Seventies: Essays by Fellow of the Royal Society of Literature, edited by Harley Granville-Barker, Cambridge University Press, 1929, pp. 111-32.
116
as an exception to the general...
Literary responses Freya Stark
The text was published to rave reviews in the Sunday Times, the Observer, and other papers. For her piece in The Spectator, Vita Sackville-West wrote an open letter to the author rather...
Literary responses Augusta Webster
The Athenæum suggested that this was not a translation or even a paraphrase, but rather a metrical adaptation of a fantastic tale, told in verse which is well suited to its subject.
Athenæum. J. Lection.
2424 (1874): 489
Literary responses Augusta Webster
The first Dictionary of National Biography praised AW 's abilities as a poet and claimed a lasting place for her in the English poetic tradition, but by 1914 Watts-Dunton was complaining about her exclusion from...
Literary responses Radclyffe Hall
Though also supportive of its right to a place in the public realm, Vita Sackville-West judged the some of the novel's elements negatively: around 1941, she described The Well as a loathsome example
qtd. in
Souhami, Diana. Mrs. Keppel and Her Daughter. Flamingo, 1997.
277
and...
Literary responses Sylvia Townsend Warner
STW 's friend David Garnett seriously disapproved of the latter part of the book and the heroine's characterisation. However, Vita Sackville-West particularly liked the part of the story that Garnett criticised.
Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus, 1989.
86
Material Conditions of Writing Violet Trefusis
VT often wrote privately about her intimate experiences and perceptions. When, during the summer of 1920, in the midst of the controversy surrounding her relationship with Vita Sackville-West , she was sent to Scotland with...
Material Conditions of Writing Christopher St John
In the 1930s when CSJ was in love with Vita Sackville-West , she wrote a love journal about their relationship as well. After her death, Vi Pym found this text among other diaries while sorting...
Occupation Dorothy Wellesley
At Penns during the Second World WarDW wrote of her fear—An explosion. I thought of my son. (Oh, don't think!) I thought of Hilda (she is safe)—but also of solitude, of her...
Occupation Edith Sitwell
It was well attended by women writers. Ivy Compton-Burnett and Bryher were there, and H. D. and Vita Sackville-West were among the other readers on the evening's programme. Dorothy Wellesley was to have read also...
Occupation Virginia Woolf
Once the press was repaired they printed their handbill. Their first book (Two Stories, containing Virginia's The Mark on the Wall and Leonard's Three Jews) had to be set up and printed...
Occupation Virginia Woolf
The Press, which began as therapy and for the purpose of publishing the works of its owners, grew into a major engine of modern culture and thought.
Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996.
371-3
Its political interests were served by enlightened...
Occupation Virginia Woolf
In October 1928 VW addressed in turn the students of the two Cambridge women's colleges: first Newnham , then Girton . She developed these lectures on women and writing into A Room of One's Own...
Occupation Viola Meynell
Her first broadcast was, appropriately, on her mother, Alice Meynell . The BBC director praised her for being the best first-time presenter he had ever seen. She followed up with programmes on Francis Thompson ,...
Performance of text Dorothy Wellesley
She dedicated this poem to the memory of her father , and headed its first section with a quotation from the book of Genesis (And the Earth was without form and void; and darkness...

Timeline

No timeline events available.

Texts

No bibliographical results available.