Critical Review. W. Simpkin and R. Marshall.
5th series: 53 (1782): 315
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Teresia Constantia Phillips | The Thais of the title was an ancient courtesan. Historian Kathleen Wilson
says that in JamaicaTCP
acquired the nickname of The Black Widow in allusion to her many marriages and her supposedly destructive effect... |
Literary responses | Elizabeth, Margravine of Anspach | A somewhat belated notice in the Critical Review specifically approved this epilogue; Critical Review. W. Simpkin and R. Marshall. 5th series: 53 (1782): 315 Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii. xxii |
Literary responses | Elizabeth, Margravine of Anspach | Walpole
thought this work careless and incorrect, but there are very pretty things in it. Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii. xx |
Literary responses | Margaret Bingham, Countess Lucan | Years before this Walpole
had remarked to his friend Horace Mann
that MBCL
had something of a turn towards poetry. Walpole, Horace. The Yale Edition of Horace Walpole’s Correspondence. Editor Lewis, Wilmarth Sheldon, Yale University Press. 25: 475 |
Literary responses | Anna Letitia Barbauld | Frances Burney
thought this the best of all Barbauld's poems. Hannah More
wrote to thank ALB
for writing so well on a subject so near her, More's heart, Paul, Lissa. The Children’s Book Business. Routledge. 111 |
Literary responses | Clara Reeve | This time a review (again dealing in imagination with a man) quoted from the preface, and pronounced: This is no common novel—it may, in some respects, claim a place upon the same shelf with The... |
Literary responses | Elizabeth Hervey | The Critical Review once again praised the style and characters. It judged the novel too long and its plot too complicated, but that the whole was certainly superior to the majority of flimsy publications of... |
Literary responses | Catharine Macaulay | Though CM
's work later became synonymous with radical history, at its first appearance moderate Whigs likeThomas Gray
and Horace Walpole
thought it the most sensible, unaffected, and best history of England that we... |
Literary responses | Hannah More | |
Literary responses | Catharine Macaulay | As she had for her earlier volumes, CM
got for this one the Critical's lead review of the month. The journal was still prepared to accept her critical attitude towards the monarchy: Our author... |
Literary responses | Hannah More | The Critical Review (to which the author's identity was no secret) said of it that HM
's narrative gift was no contemptible endowment, and that her gaiety of humour was pleasing. It did, however... |
Literary responses | Catharine Macaulay | The Monthly Review gave CM
's modern history a long, respectful notice in several issues, praising her manly energy. Griffiths, Ralph, and George Edward Griffiths, editors. Monthly Review. R. Griffiths. 58 (1778): 111 |
Literary responses | Hannah More | Walpole
eulogised the fertility of ideas in the poem, but Anna Letitia Barbauld
, as a Dissenter unconvinced of the moral excellence of the Church of England, wrote a stinging riposte. Jones, Mary Gwladys. Hannah More. Cambridge University Press. 70 McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 303-4 |
Occupation | Thomas Chatterton | He was apprenticed as a legal scrivener or copyist and began, using a hoard of ancient manuscripts which had been in his father's possession, to write poems and fake their physical manifestation, attributing them to... |
Occupation | Mary More | A couple with the same names as MM
and her husband Francis were taking in apprentices in painting during the later seventeenth century, but Ezell thinks these were probably different people. Horace Walpole
knew of... |
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