Rizzo, Betty. Companions Without Vows: Relationships Among Eighteenth-Century British Women. University of Georgia Press.
366n27
Connections | Author name Sort descending | Excerpt |
---|---|---|
Wealth and Poverty | Anne Damer | John Damer had lost £20,000 at the gaming tables in a single night not long before his death—a sum to cast a shadow over his expectations of inheriting £30,000. Rizzo, Betty. Companions Without Vows: Relationships Among Eighteenth-Century British Women. University of Georgia Press. 366n27 |
Occupation | Anne Damer | AD
was also a scholar (Horace Walpole
said she wrote Latin like Pliny
) and a book-collector. She patronised writing by women, by subscribing (for instance) to Miscellanies in Prose and Verse by Catherine Jemmat |
Friends, Associates | Anne Damer | AD
's wide circle of friends included Georgiana, Duchess of Devonshire
, Lady Melbourne
, Joanna Baillie
, Sarah Siddons
, the Berrysisters
, the dramatist Lady Elizabeth Craven (formerly Berkeley, later Margravine of Anspach) |
Residence | Anne Damer | |
Textual Production | Anne Damer | AD
's activity as a sculptor dates mostly from after 1777. Her best-known works include the keystones of the bridge at Henley, carved to represent the rivers Thames and Isis: completed in 1785, they... |
Textual Production | Anne Damer | The Lewis Walpole Library
holds four volumes of AD
's notebooks, containing extracts from her own letters addressed to a woman who must be Mary Berry
, thirteen complete letters from her to Horace Walpole |
Publishing | Mary Delany | A stage of the work was privately and anonymously printed as A Catalogue of Plants Copyed from Nature in Paper Mosaick, finished in the year 1778, and disposed in alphabetical order, according to the generic... |
Literary responses | Mary Delany | In a letter she slighted her own work as my usual presumption of copying beautiful nature. Linney, Verna. “A Passion for Art, a Passion for Botany: Mary Delany and her Floral ’Mosaiks’”. Eighteenth-Century Women: Studies in their Lives, Work, and Culture, edited by Linda V. Troost, Vol. 1 , pp. 203-35. 224 |
Publishing | Elizabeth, Margravine of Anspach | Horace Walpole
published at his home-basedStrawberry Hill Press
a 75-copy edition of The Sleep-Walker by Lady Craven (later EMA
), a translation and adaptation of Antoine de Fériol de Pont-De-Veyle
's French comedy La... |
Dedications | Elizabeth, Margravine of Anspach | Lady Craven
published for the Author her Modern Anecdote of the Family of Kinkvervankotsdarsprakengotschderns, A Tale for Christmas 1779, a little book no bigger than a silver penny, Walpole, Horace. The Letters of Horace Walpole. Editor Toynbee, Mrs Paget, Clarendon. 11: 108 Elizabeth, Margravine of Anspach,. Modern Anecdote of the Ancient Family of the Kinkvervankotsdarsprakengotchderns. title-page, prelims |
Family and Intimate relationships | Elizabeth, Margravine of Anspach | Elizabeth wrote years later that her mother, Lady Berkeley, born Elizabeth Drax
, had in general no love for children. Elizabeth, Margravine of Anspach,. Memoirs of the Margravine of Anspach. Henry Colburn. 1: 7 |
Friends, Associates | Elizabeth, Margravine of Anspach | She was an ornament of high society and sought out literary friends. She was, for instance, a long-term friend and correspondent of Horace Walpole
, who published her writings on his private press at Strawberry Hill |
Leisure and Society | Elizabeth, Margravine of Anspach | In 1778 Elizabeth Craven had her portrait painted by George Romney
, apparently for Horace Walpole
, who two years later wrote that he had hung it in his favourite blue room. Romney painted... |
Textual Features | Elizabeth, Margravine of Anspach | In 1775 she told Horace Walpole
, in reply to verse flattery from him, that she was Conscious that oft she felt the Muse's pow'r, / But conscious too, she felt it oft in vain. Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii. xviii |
Literary responses | Elizabeth, Margravine of Anspach | A somewhat belated notice in the Critical Review specifically approved this epilogue; Critical Review. W. Simpkin and R. Marshall. 5th series: 53 (1782): 315 Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii. xxii |
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