Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats.
prelims
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Maria Barrell | This was Printed for the Author, with a quotation from Prior
on the title-page. Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats. prelims |
Textual Production | Rose Macaulay | |
Textual Production | Susanna Moodie | The title, from the close of Milton
's Paradise Lost, refers to the world as Adam and Eve see it when, driven from Paradise, they must choose their own new home. |
Textual Production | Helen Maria Williams | |
Textual Production | Harriet Corp | The title in full is An Antidote to the Miseries of Human Life, In the History of the Widow Placid, and Her Daughter Rachel. HC
's title does not mean that she sought to... |
Textual Production | Rose Macaulay | Writing about a wide range of authors from Caedmon
to Coventry Patmore
, she devotes a significant portion of the book to the seventeenth century, which held a great interest for her. The chapter Anglicans |
Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages. vii |
Textual Production | Kathleen Raine | KR
published the first book of her three-volume autobiography, Farewell Happy Fields: Memories of Childhood. The first three words of the title are spoken by Milton
's Satan after he is cast out of... |
Textual Production | Antonia Fraser | In AF
's thriller Cool Repentance her detective, Jemima Shore, owed her solution of the mystery to her ability to recognise a line from Milton
's Comus. Whitaker’s Books in Print. J. Whitaker and Sons. (1988) “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 276 |
Textual Production | Evelyn Underhill | In a letter she wrote in December 1892, on the eve of her seventeenth birthday, she assesses the religious and other opinions she held during a period of her life that was about to close... |
Textual Production | Kathleen Caffyn | KC
's novel-writing career extended for a further seventeen indefatigable years after this. Novels she issued before her final one in 1916 are of considerable interest, though they received less and less praise. The Minx... |
Textual Production | Elizabeth Pipe Wolferstan | The title-page bore her name and a quotation from Milton
. This book advertised her novel from nearly thirty years ago. Wolferstan, Elizabeth Pipe. “Preface”. Agatha, edited by John Goss. forthcoming |
Textual Production | Elizabeth Smith | One month before writing this poem Elizabeth Smith
met Mary Hunt
, with whom she was soon maintaining a scholarly correspondence. In the earliest letter which Bowdler prints (written on 7 July 1792), Smith touches... |
Textual Production | Helen Waddell | Dame Felicitas Corrigan
edited further translations of poetry (with some striking original pieces) by HW
in More Latin Lyrics from Virgil
to Milton. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Kathleen Raine | Her title seems to combine memory of Milton
's human face divine (in the lines on his own blindness in Paradise Lost) with that of Blake's human form divine. Consideration of the twenty-two engravings... |
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