Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Susanna Moodie | The title, from the close of Milton
's Paradise Lost, refers to the world as Adam and Eve see it when, driven from Paradise, they must choose their own new home. |
Textual Production | Stevie Smith | SS
wrote a few poems during her childhood: she began writing poetry again in about 1924. Her note on Satan Speaks, a pastiche of Milton
, says it was written in 1925, though unpublished... |
Textual Production | Rose Macaulay | Writing about a wide range of authors from Caedmon
to Coventry Patmore
, she devotes a significant portion of the book to the seventeenth century, which held a great interest for her. The chapter Anglicans |
Textual Production | Elizabeth Smith | One month before writing this poem Elizabeth Smith
met Mary Hunt
, with whom she was soon maintaining a scholarly correspondence. In the earliest letter which Bowdler prints (written on 7 July 1792), Smith touches... |
Textual Production | Helen Waddell | Dame Felicitas Corrigan
edited further translations of poetry (with some striking original pieces) by HW
in More Latin Lyrics from Virgil
to Milton. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Mary Delany | MD
wrote for Handel
a libretto adapted from Milton
's Paradise Lost; it has not been traced. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. Delany, Mary. The Autobiography and Correspondence of Mary Granville, Mrs. Delany. Editor Llanover, Augusta Hall, Baroness, R. Bentley, 1861–1862, 6 vols. II: 280 |
Textual Production | Evelyn Underhill | In a letter she wrote in December 1892, on the eve of her seventeenth birthday, she assesses the religious and other opinions she held during a period of her life that was about to close... |
Textual Production | Mary Delany | |
Textual Production | Elizabeth Pipe Wolferstan | The title-page bore her name and a quotation from Milton
. This book advertised her novel from nearly thirty years ago. Wolferstan, Elizabeth Pipe. “Preface”. Agatha, edited by John Goss. forthcoming |
Textual Production | Anne Hunter | Haydn had taken with him an anonymous English libretto (based on the book of Genesis, the Psalms, and Milton
's Paradise Lost) when he left England in 1795. From this Gottfried van Swieten |
Textual Production | Eleanor Farjeon | At eight, she produced her first play, The Fairy Cave, in seven acts. The stage direction for the last began, A gorden it is night Enter gardner with spad, and with a gun Jack... |
Textual Production | Helen Maria Williams | |
Textual Production | Eiléan Ní Chuilleanáin | Her own essay here is Obscure and Giddy Sects: Milton
and the Scandal of Divorce. |
Textual Production | Georgiana Cavendish Duchess of Devonshire | This edition brings together the duchess's work with that of others including Burns
. OCLC records only a single extant copy, at the University of British Columbia
. Saint Gothard would certainly have appeared in... |
Textual Production | Anna Letitia Barbauld | She also kept up her output of political poetry. Only a few years after this Hannah More
's Bishop Bonner's Ghost (a ballad extolling, through irony, the modern, enlightened Church of England
) drew from... |
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