Edwin Muir

Willa and Edwin Muir embarked on their first translation project when they rendered three German plays into English blank verse for the multi-volume Dramatic Works of Gerhart Hauptmann, edited by Ludwig Lewisohn .

In early March 1965, six years after Edwin 's death and at about the same time that she completed his Living with Ballads, WM published her edition of his Collected Poems. While she...

Martin Secker published a translation, listed as by both Willa and Edwin Muir , of Lion Feuchtwanger 's novel Jew Süss.

She relied heavily on her journals for this book, which she dedicated to her late husband .

Willa and Edwin Muir spent almost this entire year translating Hermann Broch 's The Sleepwalkers: A Trilogy.

Though this is technically autobiography, she perhaps tells more about her husband than herself; Aileen Christianson , in her entry on WM in the Oxford Dictionary of National Biography, calls it more rightly a...

Willa Anderson married the future poet and critic Edwin Muir within a year of meeting him, at St Pancras Register Office in London. Friends were sceptical, but their happy marriage lasted forty years.

WM and Edwin Muir published the first English translation of Franz Kafka 's unfinished novel The Castle (Die Schloss), six years after Kafka's death.

Perhaps because WM 's writing career ran alongside that of her more famous husband , and because she published in collaboration with him, her own work has been subordinated to his and for a time...

Willa and Edwin Muir , neither of whom had ever left the British Isles before, moved to Prague.

In 1938, EMM 's name appeared in an early number of Kriticky Mesicnik, a Czech literary periodical edited by Václav Černý (reprinted in 1972 and 1992), in a list of British writers including Rosamond Lehmann

Reviewers were pleased to see more fiction from Lehmann after nine years, and the book was popular, although not hugely applauded. Those praising it included Edwin Muir . There was much debate over the real-life...

EBCJ dedicated her final novel, Morning and Cloud, to Phyllis Hamerton , with quotations from Edwin Muir and William Blake .

As a teenager, EJ read T. S. Eliot and (as she put it) wrote long poems of sort of vers libre which I imagined were influenced by Eliot, and which were very personal, in fact...

Every Changing Shape was reprinted in 1996 by Carcanet Press with a foreword by Michael Schmidt . It collects essays on Christian writers and mystics that address the way that faith informs the creative imagination...