Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins, 1953. 12 |
Textual Production | E. Nesbit | This by no means exhausts the list of EN
's writings for children. The first number of The Enchanted Castle (which is less episodic, perhaps less brilliant, and more socially critical than the Phoenix or... |
Textual Production | Caroline Bowles | She intended to move, with the publication of Chapters on Churchyards, from poetry to prose fiction. Her letter to Southey
written on 21 October 1833 shows her growing frustration with the very pretty poetry... |
Textual Production | Monica Furlong | MF
titled her single book of poetry God's a Good Man, an assertion made by Shakespeare
's Dogberry which she finds absurd but moving. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Ruth Rendell | RR
's To Fear a Painted Devil, her second published novel and the first of her psychological thrillers, adapted for its title a line from Shakespeare
's Macbeth. Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research, 1989. 305 |
Textual Production | Elizabeth Jane Howard | EJH
collaborated with Robert Aickman
on We Are for the Dark: Six Ghost Stories, titled from the words of Charmian, handmaid to Shakespeare
's Cleopatra. Howard, Elizabeth Jane. Slipstream. Macmillan, 2002. 213 “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Sophia King | SK
's subscribers included J. Fortnum
, Esq. (perhaps her father-in-law), and many from the nobility, including the Duchess of Devonshire
and her husband
, the Duchess of Rutland
, and Lord Melbourne
(father-in-law of... |
Textual Production | Brigid Brophy | |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | Dorothy Bussy | The volume contains 267 of the more than one thousand extant letters between Bussy and Gide, translated from French into English. The first volume of their Correspondance had been published in Paris in 1980. In... |
Textual Production | Charlotte Stopes | |
Textual Production | Mary Charlton | Its title-page (as well as bearing a quotation from Shakespeare
) mentions several of her earlier works. |
Textual Production | E. M. Delafield | Its title comes from Shakespeare
's As You Like It, whose heroine, Rosalind, admonishes the haughty Phoebe to go down on her knees and thank heaven,fasting, for a good man's love. |
Textual Production | Gertrude Stein | At the age of eight, GS
tried to write a Shakespeare
an drama. She abandoned this project, however, for the less demanding melodrama, Snatched from Death; or, The Sundered Sisters. Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley, 1959. 11 |
Textual Production | Judith Cowper Madan | This is apparently a revised and expanded version of the text from early 1721 which Ashley Cowper
copied in 1747 into The Family Miscellany. This first printing adds an extra forty lines, and several... |
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