William Shakespeare

At this point Gertrude hears a noise in her late husband's room; Ethelind sees a mysterious armed personage resembling him; Winifred sees a tall, white figure; Ormond offers to lie in wait for the ghost...

But the most interesting feature of Midnight Weddings is the discussion of novels and novel-writing with which it opens. Meeke defends the function of novels (which, of course, must offer a good moral) and the...

CF assumes an attitude of outraged dignity: can his antiquarian eyes / My Anglo-Saxon C despise? Her tireless parody is here directed at antiquarian and linguistic learning. Ostensibly, she demands to be wholly disassocated...

The title-page quotes Milton and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare or Byron or attributed only...

LL thoroughly enjoyed working on this production, though she admits that it was a bit everything-but-the kitchen-sink on sexual politics. The play, which she describes as a daft Midsummer Musical comedy, brings elements...

The four characters, who meet periodically, chat, complain, and reminisce. They also rehearse as the witches in Shakespeare 's Macbeth. They dance, they backchat. To a happy retirement, Katie. . . . To gravetime...

That JO intended to publish is suggested by her dedication To the Worthy and Constant Catholickes of England—especially, she says, rich ones. She expresses conventional humility, asking her readers to pardon I pray...

The book does not reach complete closure in a traditional sense, but the narrator does sense that her father has come back to her consciousness for the last time. She finds solace in her voice:...

The book's epigraph from Shakespeare 's The Tempest (What's past is prologue) provokes the narrator's question, how far back do you want? How far will do?What's past in this book...

The theatre where the action unfolds is the Dolphin, from Marsh's novel of 1966. The personages include a range of life-larger actors including a mysterious young New Zealander of Maori blood and the looming, awful...

The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...

EH seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace , Shakespeare , and Milton to...

Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house...

JW 's preface invokes Shakespeare , Virgil , Homer , and Sir Walter Scott (she later adds Thomas Percy ) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry

The academic background gives DLS an excuse for lavish literary quotation: from Greek, from Shakespeare and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe . Her Oxford is the preserve...