British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Ethel Wilson | |
Textual Production | Caroline Bowles | She intended to move, with the publication of Chapters on Churchyards, from poetry to prose fiction. Her letter to Southey
written on 21 October 1833 shows her growing frustration with the very pretty poetry... |
Textual Production | Mary Cowden Clarke | Mary Cowden Clarke
published the work for which she is principally remembered, The Girlhood of Shakespeare
's Heroines; in a series of fifteen tales. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1208 (21 December 1850) |
Textual Production | Helen Waddell | HW
provided an introduction for William Forbes Marshall
's Ballads and Verses from Tyrone, published by the Talbot Press
of Dublin in 1929, and an Appreciation for George Saintsbury
's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Sophia King | |
Textual Production | Margaret Atwood | Awad, Mona. “Art to enchant”. The Globe and Mail, p. R11. |
Textual Production | Elinor Mordaunt | The title, quoted from Shakespeare
's Ophelia, hints at madness as well as remembering. |
Textual Production | Agatha Christie | AC
published Absent in the Spring, another novel under the pseudonym Mary Westmacott, which she had written within three days in July 1943. The title comes from a sonnet by Shakespeare Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 77. Gale Research. 69 |
Textual Production | Judith Cowper Madan | This is apparently a revised and expanded version of the text from early 1721 which Ashley Cowper
copied in 1747 into The Family Miscellany. This first printing adds an extra forty lines, and several... |
Textual Production | Mary Cowden Clarke | MCC
and her husband
began work on a commission from Cassell and Co.
for an annotated edition of Shakespeare
. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 160 |
Textual Production | Flora Annie Steel | FAS
wrote an adaptation of Shakespeare
's A Midsummer Night's Dream (or more probably of part of it) to be acted by her younger grandson and the young Henry John
. Her biographer Violet Powell... |
Textual Production | Lucy Walford | In Recollections of a Scottish Novelist, LW
records her early love of literature. The books she read as a child, especially at the age of seven—including Charlotte Yonge
's The Little Duke, works... |
Textual Production | Margiad Evans | ME
's journals, kept from her youth onwards, often served to write what I want to get rid of. Lloyd-Morgan, Ceridwen. Margiad Evans. Seren. 54 |
Textual Production | Medora Gordon Byron | It was in four volumes, from the Minerva Press
, with a quotation from Francis Bacon
on the title-page, and further chapter-headings from Shakespeare
, Swift
, Prior
, Thomson
, Goldsmith
, Edward Young |
Textual Production | Geraldine Jewsbury | Although she disapproved of The Mill on the Floss, GJ
praised George Eliot
's Adam Bede for its genius and also liked Silas Marner for its depictions of human nature, however humbly embodied it... |
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