Judd, Denis. Alison Uttley. Michael Joseph.
137, 150
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Alison Uttley | |
Textual Production | Elizabeth Ogilvy Benger | Benger wrote an impromptu poem in the presence of one W. J. S., A Lament: on the Paucity of Information Respecting the Life and Character of Shakespeare—a fitting subject for a biographer. Notes and Queries. Oxford University Press. 2nd ser. (1861) xi: 384 |
Textual Production | E. Arnot Robertson | EAR
published Summer's Lease, a novel whose epigraph comes from the Shakespeare
sonnet (Shall I compare thee to a summer's day?) which contains the words of its title. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Charlotte Stopes | |
Textual Production | Pamela Hansford Johnson | PHJ
issued the first novel of a trilogy which it took her until 1949 to complete: Too Dear for My Possessing, titled from a Shakespearean
sonnet. Lindblad, Ishrat. Pamela Hansford Johnson. Twayne. 193 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Penelope Shuttle | The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified. Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, pp. 46-8. 48 |
Textual Production | Marghanita Laski | |
Textual Production | Ruth Rendell | In her novel No More Dying Then (titled from the closing words of a Shakespeare
sonnet), RR
focused on bereavement and reconciliation. British Books in Print. J. Whitaker and Sons. 1973 Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research. 312 |
Textual Production | Theodora Benson | TB
published her first novel, Salad Days, with a dedication to her friend and future collaborator Betty Askwith
. The title-page quotes Shakespeare
's Cleopatra. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Pamela Frankau | PF
published The Willow Cabin, whose title echoes the words of Shakespeare
's Viola in Twelfth Night, telling Orsino (who thinks her a boy) what she would do were she in love. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Elizabeth Montagu | |
Textual Production | Kate O'Brien | KOB
's first published novel, Without My Cloak, at once established both her public profile and her characteristic subject-matter. It is titled from an image in a Shakespeare
sonnet: the inconsistent lover lures his... |
Textual Production | Charlotte Stopes | CS
published Shakespeare
's Warwickshire Contemporaries, a collection of biographies which she had written and had already printed separately. Schoenbaum, Samuel. Shakespeare’s Lives. Clarendon Press. 640 |
Textual Production | Marina Warner | MW
published her retelling of Shakespeare
's play The Tempest: a historical novel, Indigo; or, Mapping the Waters. Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research. 194: 286-7 |
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