Maria Edgeworth

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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Anna Brownell Jameson
The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists...
Intertextuality and Influence Stéphanie-Félicité de Genlis
SFG 's importance to the influential Mary Wollstonecraft can be gauged from the way that Wollstonecraft used and built on her writings, recommended them, measured others by their standard, and also did not hesitate to...
Intertextuality and Influence Charlotte Brooke
CB was warmly appreciated in Ireland. She influenced there a parallel effort to preserve traditional music as she had preserved traditional words: that of Edward Bunting , who edited in 1796 the first volume...
Intertextuality and Influence Jane Austen
Despite some later revision, Northanger Abbey is essentially (like its ancestor Susan) a novel of the 1790s, a spoof of both the gothic and romance modes which were then all the rage. Austen's specific...
Intertextuality and Influence Jane Austen
Anne Elliot, heroine of Persuasion, gets a second chance to marry the man she had rejected nine years before under pressure from her elders. His prospects of a self-made career did not at that...
Intertextuality and Influence Frances Burney
Evelina was influential in its general plan and in its details. Maria Edgeworth in Belinda borrows one of its ideas for embarrassing the heroine: having someone make unauthorised use of her name for the peremptory...
Intertextuality and Influence Charlotte Smith
Sales were unexpectedly brisk. Reviews were positive and most emphasised that the stories here were true.
Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii.
xxxvi
The Critical Review, however, thought they would be equally interesting whether they should turn out to be...
Literary responses Germaine de Staël
The Critical Review boldly announced: This is one of the most fascinating novels we have lately met with—even though it continued, we abominate both its religion and its morals.
Critical Review. W. Simpkin and R. Marshall.
2d ser. 38 (1803): 48
Literary responses Elizabeth Hamilton
On Hamilton's death Maria Edgeworth wrote for an Irish paper an obituary with a literary analysis and assessment of her work.
Benger, Elizabeth Ogilvy. Memoirs of the late Mrs. Elizabeth Hamilton. Longman, Hurst, Rees, Orme and Brown.
1: 208-12
Literary responses Elizabeth Hamilton
EH 's death, as Pam Perkins notes, received detailed and respectful coverage throughout the national press, including The Times's lengthy and sombrely respectful obituary by Maria Edgeworth .
Perkins, Pamela. Women Writers and the Edinburgh Enlightenment. Rodopi.
55
Edgeworth was only mistaken in...
Literary responses Amelia Opie
AO 's novels, which formed a comparatively minor part of her output, had an impact beyond the rest of her work. Literary historian Gary Kelly notes that when they were new they commanded among the...
Literary responses Anna Letitia Barbauld
Though the first review to appear, in the Monthly Repository, expressed admiration (and some anti-war feeling),
McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press.
476
other responses were disapproving, even vitriolic. Many cited the allegedly unpatriotic tendency of the poem in terms...
Literary responses Sydney Owenson, Lady Morgan
Meanwhile the vogue for The Wild Irish Girl was immense: Dublin ladies were wearing scarlet cloaks and golden bodkins, as Glorvina and as Owenson did.
Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora.
71-2
She became (and remained more or less all her...
Literary responses Caroline Scott
The Athenæum reviewer judged the best parts of this novel to be the portraits of Trevelyan, his admirable sister, and his appalling wife. It quoted several passages of dialogue, singling out for praise the unfounded...
Literary responses Sydney Owenson, Lady Morgan
The review in the Critical made nostalgic reference to pleasure in Morgan's The Wild Irish Girl, and continued: As a national writer, we cannot too much admire her sentiments; and, as a descriptive writer...

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