"Maria Edgeworth" Retrieved from https://commons.wikimedia.org/wiki/File:Maria_Edgeworth_by_John_Downman_1807.jpg.
Maria Edgeworth
-
Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME
wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Charlotte Maria Tucker | |
| Intertextuality and Influence | Dinah Mulock Craik | An appendix provided an impassioned history of the Governesses' Benevolent Institution
's activities, quoting Maria Edgeworth
on thrift. Craik, Dinah Mulock. Bread upon the Waters; A Family in Love; A Low Marriage; The Double House. B. Tauchnitz, 1865. 91 |
| Intertextuality and Influence | Martin Ross | The stories are set in imaginary locations in the west of Ireland. Most revolve around fox-hunting, or else other country pursuits like horse-racing and horse-dealing. Behind these activities lies the familiar story (familiar for... |
| Intertextuality and Influence | Emily Lawless | Collections of EL
's shorter works of fiction also appeared, including Plain Frances Mowbray, and Other Tales, 1889 (whose title story is set in Venice), “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. |
| Intertextuality and Influence | Jane Austen | Despite some later revision, Northanger Abbey is essentially (like its ancestor Susan) a novel of the 1790s, a spoof of both the gothic and romance modes which were then all the rage. Austen's specific... |
| Intertextuality and Influence | Jane Austen | Anne Elliot, heroine of Persuasion, gets a second chance to marry the man she had rejected nine years before under pressure from her elders. His prospects of a self-made career did not at that... |
| Intertextuality and Influence | Mary Sewell | MS
used this book in the religious training of her children. It was written entirely in one-syllable words. She hoped writing the book would enable her to purchase Practical Education by Maria Edgeworth
(and her... |
| Intertextuality and Influence | Barbara Hofland | This novel handles remarkably the stock motif of the foundling, and the more unusual theme of an abusive marriage. (In a note at the end, BH
says that each of these is based on a... |
| Intertextuality and Influence | Elizabeth Gaskell | Wives and Daughters is assured in tone, leisurely in pace, and deft in omniscient narration and lively dialogue. The nursery-rhyme-like opening conveys the narrator's affectionate irony with respect to her protagonist and her place in... |
| Intertextuality and Influence | Stéphanie-Félicité de Genlis | Mary Wollstonecraft
, though she saw many virtues in this book, was not happy that Adelaide was educated to be obedient, not independent-minded: that with all her accomplishments she was ready to marry any body... |
| Intertextuality and Influence | Margery Lawrence | She took this title from a remark by Maria Edgeworth
: Today is the Tomorrow of Yesterday. qtd. in Lawrence, Margery. The Tomorrow of Yesterday. Robert Hale, 1966. prelims |
| Intertextuality and Influence | Stéphanie-Félicité de Genlis | SFG
's importance to the influential Mary Wollstonecraft
can be gauged from the way that Wollstonecraft used and built on her writings, recommended them, measured others by their standard, and also did not hesitate to... |
| Intertextuality and Influence | Charlotte Brooke | CB
was warmly appreciated in Ireland. She influenced there a parallel effort to preserve traditional music as she had preserved traditional words: that of Edward Bunting
, who edited in 1796 the first volume... |
| Intertextuality and Influence | Anna Brownell Jameson | The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists... |
| Intertextuality and Influence | Elizabeth Pipe Wolferstan |
Timeline
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Texts
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