Maria Edgeworth

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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Elizabeth Pipe Wolferstan
A few statements are footnoted to their originators, whom EPW has either paraphrased or versified: Sherlock and Lavater are her favourites, but she also draws on lighter writers like Horace , Swift , and Coleridge
Intertextuality and Influence Anna Letitia Barbauld
Taken together, ALB 's various writings for children during her career as educator at Palgrave School exerted enormous influence on other children's writers, such as Maria Edgeworth , Sarah Trimmer , Hannah More , and...
Intertextuality and Influence Frances Burney
Evelina was influential in its general plan and in its details. Maria Edgeworth in Belinda borrows one of its ideas for embarrassing the heroine: having someone make unauthorised use of her name for the peremptory...
Intertextuality and Influence Jane Loudon
The two stories appear to be based on fact, since Agnes Merton's father is a horticulturalist on a jaunt into the country to inspect rare plants. The first story contrasts the prudent and the rash...
Intertextuality and Influence Sarah Harriet Burney
Lorna J. Clark, editor of SHB 's letters, notes the abundant portrayal in her novels of dysfunctional families.
Burney, Sarah Harriet. “Editor’s Introduction”. The Letters of Sarah Harriet Burney, edited by Lorna J. Clark, Georgia University Press, 1997.
lviii-lix
This Burney was a discerning reader of recent and contemporary fiction, admiring Maria Edgeworth and James Fenimore Cooper
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown, 1819, 3 vols.
3: 95
Intertextuality and Influence Mary Ann Kelty
MAK quotes Geraldine Jewsbury and Maria Edgeworth , and remarks that although unmarried herself she has observed what goes wrong in marriage: she traces difficulties between couples to the demand for too much feeling. The...
Intertextuality and Influence Grace Aguilar
The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate
Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891.
13
reading in history, poetry, and romance at an early age...
Intertextuality and Influence Charlotte Smith
Sales were unexpectedly brisk. Reviews were positive and most emphasised that the stories here were true.
Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, 2005, p. xxix - xxxvii.
xxxvi
The Critical Review, however, thought they would be equally interesting whether they should turn out to be...
Intertextuality and Influence Jane Austen
JA 's biographer Claire Tomalin lists those women writers who were most important to her, for learning rather than for mockery, as Charlotte Lennox , Frances Burney , Charlotte Smith , Maria Edgeworth , and...
Intertextuality and Influence Sarah Wentworth Morton
The title-page quotes romantic, melancholy lines from Byron 's Childe Harold.
Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16.
12
An Apology closing the volume speaks of SWM 's disappointments and distresses (which are often mentioned, though unspecified, in her work) especially...
Intertextuality and Influence Katharine Tynan
The gruesome elements of the novel reach a peak when the protagonist believes a cancer has formed on her breast (a motif which KT may have taken from her early favourite Maria Edgeworth ) as...
Intertextuality and Influence Harriett Mozley
The month of the title is that of December, with Christmas in its midst. The story is one of family relationships among children: realistic, witty, and uncondescending. The issue of child nurture and education in...
Intertextuality and Influence Naomi Royde-Smith
NRS opens her story with Jane Fairfax as a little orphan growing up in the family of Colonel and Mrs Campbell, whose naughty daughter Euphrasia is a likable foil to her throughout. She ends it...
Intertextuality and Influence Emily Lawless
Collections of EL 's shorter works of fiction also appeared, including Plain Frances Mowbray, and Other Tales, 1889 (whose title story is set in Venice),
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
and Traits and Confidences, 1897, which James M. Cahalan

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