Samuel Richardson

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Standard Name: Richardson, Samuel
SR 's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.

Connections

Connections Author name Sort ascending Excerpt
Intertextuality and Influence Mehetabel Wright
Wedlock, now well-known, is a poem of vituperative denunciation. Another of her poems describes and praises a woman based on Richardson 's Clarissa.
Knights, Elspeth. “’Daring to Touch the Hem of her Garment’: Women Reading <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Clarissa</span&gt”;. Women’s Writing, Vol.
7
, No. 2, pp. 221-45.
222-3
Friends, Associates Mehetabel Wright
Either now or later she met the writer John Duncombe and painter Joseph Highmore , as well as the novelist Samuel Richardson .
Knights, Elspeth. “A Licensuous Daughter: Mehetabel Wesley, 1697-1750”. Women’s Writing, Vol.
4
, No. 1, pp. 15-38.
17, 27
Textual Production Mehetabel Wright
Many of her poems, sent to relations, seem to have been lost in transit. Only a handful have been identified, though there may be more to come. Some which do survive are to be found...
Textual Production Mary Wollstonecraft
During the same year, 1790, Johnson published Young Grandison. A Series of Letters from Young Persons to Their Friends, MW 's free rendering of a Richardson -inspired juvenile conduct book by the Dutchwoman Maria Geertruida van de Werken de Cambon
Education Elizabeth Pipe Wolferstan
EPW says nothing specific about her intellectual development, except that Richardson 's Sir Charles Grandison had formed her mind and heart. Her education was clearly a good one that included much reading.
Textual Features Harriette Wilson
Much in this revised and expanded edition is merely scrappy (and some is written by Stockdale), with nuggets strung together by such giveaway phrases as By the bye and To change the subject.
Wilson, Frances. The Courtesan’s Revenge. Faber.
249
But...
Textual Production Anna Williams
Johnson wrote to Samuel Richardson to enlist his support for AW in her plan to compile a dictionary of philosophical, that is scientific, terms.
Johnson, Samuel. The Letters of Samuel Johnson. Editor Redford, Bruce, Princeton University Press.
1: 79-80
Publishing Anna Williams
AW 's Verses to Mr. Richardson , on his Publication of Sir Charles Grandison appeared in the Gentleman's Magazine.
Larsen, Lyle. Dr. Johnson’s Household. Archon Books.
28-9
Publishing Anna Williams
She wanted to have Richardson 's opinion, as a leading London printer, as to whether a scientific dictionary might be profitable in this age of dictionaries. She had been meditat[ing] her scheme for a long...
Theme or Topic Treated in Text Anna Williams
Williams voices admiration for each of Richardson 's three novels, and ingeniously defends him against a recurrent criticism: Proceed to teach, thy labours ne'er can tire, / Thou still must write, and we must still...
Literary responses Jane West
When the fourth volume appeared in 1789, the Critical found it heavy, languid and uninteresting, and judged the serial publication to have been a mistake.
Critical Review. W. Simpkin and R. Marshall.
68 (1789): 495
Andrew Becket in the Monthly and Mary Wollstonecraft
Textual Production Helena Wells
She published this with Longman , signing her preface Helena Wells Whitford, though the title-page says only by the Author of the Step-Mother. Subscribers included Joanna Baillie and Anne Hunter . The title-page...
Intertextuality and Influence Eglinton Wallace
Hers is, however, a conservative approach to improving the status of women. She sees female chastity as central not only to women's well-being but also to society, for reasons of property and inheritance and to...
Textual Features Lady Mary Walker
The title character, Eliza de Crui, sets the tone for discussion by writing from Brussels to Mrs Pierpont at Liège with the remark that, since it is so hard to say anything new, she will...
Textual Production Catharine Trotter
Critic Robert Adams Day ably summarised the virtues of this tale in 1969, well ahead of the explosion of interest in early women's writing. He pointed out the novelty of the middle-class heroine, chaste but...

Timeline

1714: Following the death of Mary Kettilby, her...

Building item

1714

Following the death of Mary Kettilby , her executrix published her A Collection of Above Three Hundred Receipts in Cookery, Physick and Surgery; for the use of all good wives, tender mothers, and careful nurses.

19 June 1725: Dorothy Stanley, née Milborne, published...

Women writers item

19 June 1725

Dorothy Stanley , née Milborne, published by subscription Sir Philip Sidney 's Arcadia Moderniz'd, in four books (coinciding with the thirteenth edition of the original romance).
English Short Title Catalogue. http://estc.bl.uk/.

November 1739: Sir Roger L'Estrange's prose translation...

Writing climate item

November 1739

Sir Roger L'Estrange 's prose translation of Aesop 's Fables (formerly treated in snappy couplets by Aphra Behn ) was printed—by Samuel Richardson .

4 April 1741: Henry Fielding, publishing as Conny Keyber,...

Writing climate item

4 April 1741

Henry Fielding , publishing as Conny Keyber, led the rush of response to Richardson 's Pamela with a burlesque entitled Shamela.

Probably 10 July 1748: Dorothea, Lady Bradshaigh, wrote her first...

Writing climate item

Probably 10 July 1748

Dorothea, Lady Bradshaigh , wrote her first letter to Samuel Richardson , signing herself Belfour.

February 1755: Samuel Richardson read the alternative ending...

Writing climate item

February 1755

Samuel Richardson read the alternative ending to his novelClarissa that Lady Echlin (sister of Lady Bradshaigh ) had been spurred to write by her revulsion at Clarissa's rape and unmerited death.

12 May 1759: Edward Young published Conjectures on Original...

Writing climate item

12 May 1759

Edward Young published Conjectures on Original Composition. In a letter to the author of Sir Charles Grandison; a second volume followed the next month.

1767: At auctions of copyright, Richardson's Clarissa...

Writing climate item

1767

At auctions of copyright, Richardson 's Clarissa was valued at £600, but Addison and Steele 's Spectator at £1,300, Shakespeare at £1,800, and Pope at £4,400.

1771: In a year when Sir Joshua Reynolds painted,...

Women writers item

1771

In a year when Sir Joshua Reynolds painted, as Girl Reading, his niece Theophila Palmer perusing Richardson 's Clarissa, five novels by women advertised their Clarissa kinship.

1774: The British Novelist: Or, Virtue and Vice...

Writing climate item

1774

The British Novelist: Or, Virtue and Vice in Miniature was published in twelve volumes of abridged texts by Sarah and Henry Fielding , Richardson , Smollett , and Lennox .

1780: James Harrison (hitherto chiefly known as...

Writing climate item

1780

James Harrison (hitherto chiefly known as a music publisher) began to issue the handsomely-produced Novelists' Magazine, a weekly serial reprinting of canonical novels.

August-21 December 1791: In Paris the Salon of 1791, the first non-monarchical...

Building item

August-21 December 1791

In Paris the Salon of 1791, the first non-monarchical display of art to a new public, featured a large increase in works by women.

By 22 July 1797: William Beckford published a second and more...

Women writers item

By 22 July 1797

William Beckford published a second and more marked burlesque attack on women's writing: Azemia: A Descriptive and Sentimental Novel. Interspersed with Pieces of Poetry.

August 1813: The Critical Review published its first welcome...

Writing climate item

August 1813

The Critical Review published its first welcome to Eaton Stannard Barrett 's famous parody of sentimental novels, The Heroine, or Adventures of the Fair Romance Reader.

1990: Robin Holloway's opera Clarissa (composed...

Building item

1990

Robin Holloway 's operaClarissa (composed in 1976 from Samuel Richardson 's novel of the same title, published in 1747-8) had its premiere.

Texts

Harris, Jocelyn, and Samuel Richardson. “Chronology”. Sir Charles Grandison, The World’s Classics, Oxford University Press, 1986, p. xliii - xlv.
Richardson, Samuel. Clarissa. S. Richardson, 1748.
Richardson, Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Editor Sabor, Peter, Cambridge University Press, 2016.
Richardson, Samuel. “Introduction”. Selected Letters of Samuel Richardson, edited by John Carroll, Clarendon, 1964, pp. 3-35.
Richardson, Samuel. “Introduction”. Correspondence with Aaron Hill and the Hill Family, edited by Christine Gerrard, Cambridge University Press, 2013, p. i - xlix.
Richardson, Samuel. “Notes”. Clarissa, edited by Angus Ross, Penguin, 1985, pp. 1513-26.
Richardson, Samuel. Pamela. C. Rivington and J. Osborn, 1740.
Richardson, Samuel. Pamela. Editor Sabor, Peter, Penguin, 1985.
Richardson, Samuel, and Penelope Aubin. “Preface”. A Collection of Entertaining Histories and Novels, D. Midwinter, 1739.
Richardson, Samuel. Selected Letters of Samuel Richardson. Editor Carroll, John, Clarendon Press, 1964.
Richardson, Samuel. Sir Charles Grandison. S. Richardson.
Richardson, Samuel. Sir Charles Grandison. Editor Harris, Jocelyn, Oxford University Press, 1986.
Richardson, Samuel. The Correspondence of Samuel Richardson. Editor Barbauld, Anna Letitia, Richard Phillips, 1804.