Emily Brontë
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Standard Name: Brontë, Emily
Birth Name: Emily Brontë
Pseudonym: Ellis Bell
Used Form: Emily Bronte
Used Form: Two
Emily Brontë
collaborated with her siblings on a body of juvenilia, and by herself wrote a small number of poems and a single surviving novel. Wuthering Heights is established as one of the most original and disturbing novels of the mid-nineteenth century. Its compelling imagery, sophisticated narrative technique, and powerful, indeed violent, story—part ghost story, part romance, part anatomy of social hierarchies and cultural conflict—details the enmity between two families on the Yorkshire moors that erupts when a strange child is adopted into one of them, and which is only resolved in the subsequent generation.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Production | Rosamund Marriott Watson | RMW
was by this time establishing a name for herself as an poet. In 1890 Elizabeth A. Sharp
included three of her poems in Women Poets of the Victorian Era. The anthology also features... |
Textual Production | May Sinclair | The first of MS
's introductions to the Everyman's Library reprints of the BrontëAnne BrontëEmily Brontë
sisters' novels, the one to Wuthering Heights, was published. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973. 213 |
Textual Production | Charlotte Brontë | |
Textual Production | May Sinclair | |
Textual Production | E. M. Delafield | In the same year, EMD
edited the book of literary criticism, The BrontëCharlotte BrontëEmily Brontë
s: Their Lives Recorded by Their Contemporaries, published by Hogarth Press
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Zarin, Cynthia. “The Diarist: How E. M. Delafield Launched a Genre”. New Yorker, 9 May 2005, pp. 44-9. 49 |
Textual Production | Jean Plaidy | JP
had begun writing some years before this first publication. Bennett, Catherine. “The Prime of Miss Jean Plaidy”. The Guardian, 4 July 1991, pp. 23-4. 23 |
Textual Production | Bryony Lavery | BL
's numerous plays for radio include some original and some adapted from other works: Laying Ghosts, The Twelve Days of Christmas, Velma and Therese (a parallel version of the film Thelma and... |
Textual Production | Margaret Oliphant | Oliphant's contribution was The Sisters BrontëEmily BrontëAnne Brontë, a sharply perceived and proto-feminist analysis. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 343 |
Theme or Topic Treated in Text | Q. D. Leavis | |
Theme or Topic Treated in Text | Charlotte Brontë | The novel focuses on the Luddite riots in Yorkshire in the Napoleonic era. Shirley Keeldar, an heiress with a man's name who revels in her unconventionality (and who was, according to conversation Elizabeth Gaskell
had... |
Theme or Topic Treated in Text | Virginia Woolf | The book's contents consisted largely of already published journalism, carefully revised for the collection. McNeillie, Andrew, and Virginia Woolf. “Introduction”. The Common Reader, Annotated Edition, Harcourt Brace Jovanovich, 1984, p. ix - xv. x |
Theme or Topic Treated in Text | Alice Meynell | Many of the essays reprinted here focus on women writers who were, to put it mildly, little known to the public in the 1940s. These included: Anna Seward
and Joanna Baillie
, as well as... |
Theme or Topic Treated in Text | A. Mary F. Robinson | It was her first of several writings on literary subjects for this periodical, most of them published in the early twentieth century. Her other contributions were French translations of earlier works, including a three-part discussion... |
Theme or Topic Treated in Text | Eva Figes | Though she mentions such writers as Eliza Haywood
and Mary Davys
, she begins her detailed discussion with the 1790s (a time which twenty years on would be regarded as somewhat late in the history... |
Theme or Topic Treated in Text | Margaret Kennedy | Here Kennedy argues that entertainment and enjoyment are valuable aims for the novel. She maintains that the novelist is, in essence, a storyteller, but the storyteller-novelist has been excluded by a literary society that devalues... |
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