Emily Brontë
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Standard Name: Brontë, Emily
Birth Name: Emily Brontë
Pseudonym: Ellis Bell
Used Form: Emily Bronte
Used Form: Two
Emily Brontë
collaborated with her siblings on a body of juvenilia, and by herself wrote a small number of poems and a single surviving novel. Wuthering Heights is established as one of the most original and disturbing novels of the mid-nineteenth century. Its compelling imagery, sophisticated narrative technique, and powerful, indeed violent, story—part ghost story, part romance, part anatomy of social hierarchies and cultural conflict—details the enmity between two families on the Yorkshire moors that erupts when a strange child is adopted into one of them, and which is only resolved in the subsequent generation.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Jane Gardam | Again the story centres on a girl growing up, though some attention is given too to her younger siblings, Sebastian and Phoebe (known from her pebble glasses as Beams). It is their father, the Reverend... |
Intertextuality and Influence | Emily Dickinson | Among our contemporary poets, Adrienne Rich
has offered this reading of ED
's life and works: Emily Dickinson—viewed by her bemused contemporary Thomas Higginson as partially cracked, by the twentieth century as fey or... |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus, 1967. 4 |
Intertextuality and Influence | Emily Dickinson | Because of the extent to which ED
's concentrated and elusive verse, as well as her dissent from religious and social orthodoxies, seem to presage modernism, she has been considered the sole serious writer among... |
Intertextuality and Influence | Daphne Du Maurier | She wrote this novel during the previous winter at her parents' country house, Ferryside at Bodinnick in Cornwall. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Anne Carson | The contents of this book include some that have become central to the Carson canon, like The Glass Essay, a poem of love and desire, loss and rejection, whose speaker survives the end of... |
Intertextuality and Influence | E. B. C. Jones | The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be... |
Intertextuality and Influence | Phyllis Bentley | |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | Isabella Ormston Ford | The novel quotes as epigraph the stanza in which Emily Brontë
says that her only prayer is a prayer for liberty. It opens in scorching early summer in Portman Square, London, in the town... |
Intertextuality and Influence | Edna O'Brien | EOB
has named many women writers as important to her: she includes among these Jane Austen
, Emily Dickinson
, Elizabeth Bowen
, Anna Akhmatova
, Anita Brookner
, and Margaret Atwood
, adding: Every... |
Intertextuality and Influence | Jeni Couzyn | Of the three poems in the final section, The Tarantula Dance takes up many of the volume's most disturbing images. It describes a catastrophic male-female relationship. The woman begins with a black aura, suffering... |
Intertextuality and Influence | Sarah Waters | As a child SW
loved writing poems and stories, all entirely derivative from her reading of popular books like the Dr Who novelizations. In the sixth form at school she began to find the study... |
Intertextuality and Influence | Edna O'Brien | The title of this novel comes from O'Brien's four-line epigraph from Emily Brontë
, where the phrase rhymes with Faithful indeed is the spirit that remembers. qtd. in O’Brien, Edna. Wild Decembers. Houghton Mifflin, 1999. prelims |
Literary responses | Mary Elizabeth Braddon | Admirers of Lady Audley included Thackeray
, according to his daughter Anne
. Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 9 |
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