Tynan, Katharine. Twenty-Five Years: Reminiscences. Smith, Elder.
382
W. B. Yeats
-
Standard Name: Yeats, W. B.
Used Form: William Butler Yeats
Used Form: Willie Yeats
WBY
, who began publishing well before the end of the nineteenth century, is regarded as one of the most important twentieth-century poets in English, and one of the most international of Irish writers. He was early involved in the Irish Literary Revival, and wrote early, highly romantic lyrics on Celtic and fairy themes. Later he made poetry out of the search for a poetic language. Some of his later work is affected by his interest in the occult.
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Literary responses | Katharine Tynan | |
| Literary responses | Florence Farr | FF
's performances won the acclaim of several critics, including Yeats
himself, and her recitation technique was for a short time heralded as a new art form: according to William Archer
, in this system... |
| Leisure and Society | Katharine Tynan | This same year KT
attended a meeting of the Browning Society
(founded in the summer of 1881) at which she met George Bernard Shaw
. Tynan, Katharine. Twenty-Five Years: Reminiscences. Smith, Elder. 357 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. under Robert Browning (1812-1889) |
| Leisure and Society | Dorothy Wellesley | She had the dining room at Penns decorated by Vanessa Bell
and Duncan Grant
. They did three big wall panels each, plus designing furniture. The work was finished in 1931. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press. 4: 156 |
| Intertextuality and Influence | Mildred Cable | The first three chapters are devoted to each individual woman, while the fourth describes their coming together into a three-fold cord, which could not easily be broken. Cable, Mildred, and Francesca French. Something Happened. Hodder and Stoughton. 110 This image refers to a passage in... |
| Intertextuality and Influence | Medbh McGuckian | This collection is much concerned with women's experience. MMG
both follows and diverges from W. B. Yeats
in writing prayers for her daughter. |
| Intertextuality and Influence | Jennifer Johnston | JJ
says, I don't plan my writing; I just sit down and listen to the voices. This makes it sound easy. It is not. Moloney, Caitriona et al. Irish Women Writers Speak Out: Voices From the Field. Syracuse University Press. 67 |
| Intertextuality and Influence | Fleur Adcock | She writes here about family and forebears, and about chance encounters and daily events in her own life, further developing her style for the quotidian. Feverish records being out of my mind; / enough to... |
| Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
| Intertextuality and Influence | Naomi Mitchison | The action takes place among Celtic tribes between 58 and 51 BC (with a coda set five years later). It opens in what is now the Auvergne, newly invaded and occupied by the Roman... |
| Intertextuality and Influence | Florence Farr | Late in her career FF
published a second novel, The Solemnization of Jacklin: Some Adventures on the Search for Reality, whose heroine gives birth to a mystical child derived from the writing of Yeats
. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe. 177 D’Arch Smith, Timothy, and Florence Farr. “Introduction”. Egyptian Magic, Aquarian Press, p. ix - xvii. xvi Litz, A. Walton. “Florence Farr: A ’Transitional’ Woman”. High and Low Moderns: Literature and Culture, 1889-1939, edited by Maria DiBattista and Lucy McDiarmid, Oxford University Press, pp. 85-106. 86 |
| Intertextuality and Influence | Eudora Welty | This is one of her best-known volumes of stories, in part perhaps because of its involvement with gender issues, with such topics as early sexual development, rigidly demarcated gender roles, misogyny, sexual violence, defiance of... |
| Intertextuality and Influence | Katharine Tynan | KT
later felt this was a very-much derived little volume. Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards. 103 Fallon, Ann Connerton. Katharine Tynan. Twayne. 37 Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards. 103 |
| Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
| Intertextuality and Influence | Sylvia Kantaris | Other poems are self-referential examinations of poetry and writing. The Recluse describes the inability of the contemporary poet to present in verse (like the unnamed William Wordsworth
) the rustic tale of a chance-met old... |
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