Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Catherine Hutton | Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
). Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown. 3: 95 |
Friends, Associates | Elizabeth Inchbald | Another radical, William Godwin
, proposed marriage to EI
—unsuccessfully. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 94 |
Textual Production | Elizabeth Inchbald | EI
submitted the manuscript of A Simple Story to William Godwin
, seeking further criticism. Godwin, William. William Godwin’s Diary. http://godwindiary.bodleian.ox.ac.uk/search.html. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 43, 67, 94 |
Textual Production | Elizabeth Inchbald | Wives as They Were, and Maids as They Are, a comedy by EI
, opened at Covent Garden
. The title sounds like an allusion to such radical texts as Robert Bage
's Man... |
Intertextuality and Influence | Elizabeth Inchbald | Several known plays by EI
were never published. All on a Summer's Day, 1787 (about a couple ill-matched in age), and The Hue and Cry, 1791, are known only from the copies provided... |
Textual Production | Frances Jacson | This is another novel ascribed in earlier sources to Alethea Lewis
, and available through Chawton
Novels On-line at http://www.chawtonhouse.org/?page_id=55488. Two plot-elements, indeed, are parallelled in Lewis's life: the motherless heroine, Caroline, and the long-drawn-out... |
Textual Features | Isabella Kelly | The title positions the novel in a line running from Robert Bage
's Man As He Is, 1792, and William Godwin
's Caleb Williams; or, Things as They Are, 1794, to Catherine Gore |
Intertextuality and Influence | Sophia King | |
Friends, Associates | Lady Caroline Lamb | LCL
was for most of her adult life a good friend of Sydney Morgan
, to whom she confided many stories of her childhood and youth, which Morgan preserved in her diaries. She later helped... |
Friends, Associates | Mary Lamb | The Lambs also knew well members of related circles, Robert Southey
, William Hazlitt
, and Thomas De Quincey
. In the first year of her new life Mary met William Godwin
, Thomas Manning |
Textual Production | Mary Lamb | In fact Mary had written the versions of all the comedies and histories, while Charles
did the tragedies only. The suppression of her name was not (as the Feminist Companion suggests) due to an error... |
Textual Features | Anna Margaretta Larpent | This later diary, generally written daily at any odd moment, provides indexing of special events which reveals AML
's methodical character. Occasional months are missing here and there. The diarist offers penetrating comment on a... |
Family and Intimate relationships | Harriet Lee | HL
turned down a marriage proposal from William Godwin
, recent widower of Mary Wollstonecraft
. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, p. ix - lii. xxxiv |
Literary responses | Harriet Lee | The Critical Review (which thought the first volume of Canterbury Tales resembled the work of Marmontel
, but happily without his profligate principles) was enthusiastic: We expect the second volume with impatience, as we have... |
Friends, Associates | Sophia Lee | Their school, together with their literary careers, brought SL
and her sisters a wide circle of friends and contacts, including Jane
and Anna Maria Porter
. The novelist Elizabeth Sophia Tomlins describes Sophia as surrounded... |
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