Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press.
Richard Garnett
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Standard Name: Garnett, Richard,, 1835 - 1906
Connections
Connections Sort ascending | Author name | Excerpt |
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Travel | Vernon Lee | VL
was at this time a guest of Mary Robinson
and her family. She combined her connections with theirs in order to meet a number of major cultural figures: Sir Leslie Stephen
, Robert Browning |
Textual Production | Ellen Mary Clerke | Thanks to her travels and studies, EMC
was fluent in several languages. Her translations, especially those from Italian, were frequently praised. In 1898 some of her translations were selected by Richard Garnett
to be included... |
Textual Production | Laurence Alma-Tadema | In 1895 the publishing firm of Walter Scott
issued a volume which puts together two translations by LAT
of plays by Maeterlinck
: Pelleas and Melisanda; and, The Sightless, and gave rise to various... |
Textual Production | Mathilde Blind | Arthur Symons
followed his selection from MB
's poems with her collected Poetical Works, including a more extended introduction by Richard Garnett
. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Textual Production | Jessie Ellen Cadell | JEC
's verse translation from Persian of The Ruba'yat of Omar Khayam was posthumously published by her friend Richard Garnett
. A note on the verso of the title-page of the London edition says: composition... |
Textual Production | Evelyn Sharp | The piece was published the same year. ES
used stories by Richard Garnett
and Nathaniel Hawthorne
as sources. She had been working on her lyrics since June 1927, when she sent Vaughan Williams the fruits... |
Textual Production | Jessie Ellen Cadell | When she turned again to the study of Persian during her years in Edinburgh, JEC
's first intention was the ambitious one of writing a history of India. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | May Sinclair | At this time MS
entertained many schemes which she did not carry through. She began a play, A Debt of Honour—A Tragedy in Three Acts. Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press. 45n7 |
Textual Features | Jessie Ellen Cadell | She left behind her a prose version as well as the verse one of the 150 quatrains of Omar which she translated (out of the 1040 she had found attributed to him and the 250... |
Publishing | Anne Manning | Later editions assert AM
's authorship in the form that now became standard for her, as by the author of Mary Powell. Like its predecessor, this book went through several editions, and appeared with... |
Publishing | Jessie Ellen Cadell | JEC
published with her initials in Fraser's Magazine (partly through the good offices of Richard Garnett
) The True Omar Khayam, a scholarly article on the Persian poetry of Omar Khayyám
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. Garnett, Richard et al. “Introduction”. The Ruba’yat of Omar Khayam, edited by Richard Garnett, translated by. Jessie Ellen Cadell, John Lane, p. v - xxx. vii |
Publishing | Percy Bysshe Shelley | |
Literary responses | Sarah Flower Adams | Fox
describes the play in Lectures Addressed Chiefly to the Working Classes as one of the purest and loveliest specimens ever yet produced of the dramatic poem. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research. 199: 6 |
Literary responses | Sarah Flower Adams | Richard Garnett
called the latter a very spirited poem. Miles, Alfred H. The Victorian Poets: The Bio-Critical Introductions to the Victorian Poets from A. H. Miles’s The Poets and the Poetry of the Nineteenth Century. Editor Fredeman, William E., Garland. 144 |
Literary responses | Mathilde Blind | The entry in the DNB Supplement, written by Richard Garnett
, ranked her letters (of which he called, vainly, for an edition) above her poems. This sounds like a gendered opinion, especially since it... |
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