Hawkins, Laetitia-Matilda. Memoirs, Anecdotes, Facts and Opinions. Longman, Hurst, Rees, Orme, Brown, and Green, and C. and J. Rivington.
1: 86
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Maria Edgeworth | Angelina, generally treated as a descendant of Charlotte Lennox
's Female Quixote, shows just how permeable is the boundary between ME
's juvenile and adult fiction. It warns against influence from the wrong... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Mary Elizabeth Braddon | This novel contains the first appearance of MEB
's serially-employed character, the proto-sensation novelist Sigismund Smith (although that bitter term of reproach, sensation, had not been invented for the terror of romancers in the... |
Intertextuality and Influence | Anna Maria Mackenzie | A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and... |
Intertextuality and Influence | Medora Gordon Byron | The Englishman ties its first sentence to a quotation from Goldsmith
's Citizen of the World about spontaneous liking for certain individuals. Its first sentence is This spontaneous friendship is not more the offering of... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Dorothea Primrose Campbell | DPC
was one of those claiming serious status for the novel by literary allusion. She uses Horace
on her title-page, Pope
to head the whole novel, and for chapter-headings Chaucer
, Shakespeare
, Goldsmith
... |
Intertextuality and Influence | Cassandra Cooke | In a preface CC
says she found the incident that forms the centre of this novel in The Christian Life by Dr John Scott
(that is The Christian Life, from its beginning to its consummation... |
Intertextuality and Influence | Ellen Johnston | In contrast to the life-writings of her working-class contemporary Hannah Cullwick
, EJ
's autobiography is remarkably self-reflexive and literary. She says that an account of her life in Dundee alone, her trials, disappointments, joys... |
Intertextuality and Influence | Hannah Cowley | In the plot, marriage for love triumphs over arranged marriage: but Letitia does not reject Doricourt (to whom she was engaged when very young), but converts him. He would prefer in principle to keep his... |
Friends, Associates | Laetitia-Matilda Hawkins | Visitors to her parents' house included Oliver Goldsmith
and Samuel Johnson
, whom the Hawkins children nicknamed Polyphemus, after the one-eyed giant in the Odyssey. Hawkins, Laetitia-Matilda. Memoirs, Anecdotes, Facts and Opinions. Longman, Hurst, Rees, Orme, Brown, and Green, and C. and J. Rivington. 1: 86 |
Friends, Associates | Hester Lynch Piozzi | Other Streatham habitueés were Sir Joshua Reynolds
, Arthur Murphy
, Edmund Burke
, Oliver Goldsmith
, Charles Burney
, and David Garrick
. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press. 157 |
Friends, Associates | Samuel Johnson | Johnson had a talent for friendship which he kept well exercised: the names mentioned here represent only a selection of his friendships. His early London friends, whom he met during a comparatively poorly documented period... |
Friends, Associates | Ellis Cornelia Knight | During her childhood, ECK
associated with a variety of celebrated people through her family connections. Her mother was a close friend of painter and writer Frances Reynolds
(sister to the more famous painter Sir Joshua Reynolds |
Family and Intimate relationships | Elizabeth Gilding | Like her, he was a contributor to magazines: a juvenile work by him appeared in the Lady's Magazine in 1775, and he later contributed to the European and other magazines under the name of Fidelio... |
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