Fyge, Sarah. Poems on Several Occasions. J. Nutt.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Intertextuality and Influence | Hélène Gingold | One of the stories, A Modern Orpheus, revisits the Greek myth related by Ovid
and others, with a man named Jones playing the Greek hero's Victorian counterpart. The Thracian poet and musician who attempted... |
Intertextuality and Influence | Sarah Fyge | In Lady Campbell, with a Female Advocate, SF
calls her first published work fatal: Go, fatal book, she writes, Fyge, Sarah. Poems on Several Occasions. J. Nutt. 22 |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Textual Production | Ann Fisher | No copy of the first edition is known to be extant. The extremely long title continues An Accurate New Spelling Dictionary and Complete English Expositor: containing a much larger collection of words than any book... |
Intertextuality and Influence | Ephelia | Not all the poems in the volume are written in Ephelia's voice (which adds an extra dimension to argument over the ascription of those written in other voices). It seems that Ephelia enjoyed ventriloquizing the... |
Intertextuality and Influence | Maureen Duffy | She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother. Duffy, Maureen. That’s How It Was. Virago. xi |
Occupation | Lady Anne Clifford | |
Textual Production | A. S. Byatt | ASB
continued her interest in Ovid
with Arachne, a literary essay, in Ovid Metamorphosed, edited by Philip Terry
in early 2000. Byatt, A. S. “Arachne”. Ovid Metamorphosed, edited by Philip Terry, Chatto and Windus, pp. 131-57. 131 |
Intertextuality and Influence | A. S. Byatt | One reviewer noted ASB
's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content. Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7. F7 |
Intertextuality and Influence | Elizabeth Boyd | EB
shares the Scriblerian enthusiasm for mixing genres. She presents To Proteus, The Indisputable God of Change as A Dedication of the foregoing Poem, as a revolutionary Epistle, that shall still more accomplish'dly beautify never-indolent... |
Friends, Associates | Mary Matilda Betham | As well as meeting at Llangollen with Lady Eleanor Butler
and Sarah Ponsonby
(who later talked with high praise of her), Betham, Ernest, editor. A House of Letters. Jarrold and Sons. 69, 70 |
Theme or Topic Treated in Text | Mary Matilda Betham | Catharine Macaulay
, she insists, was pleasing and delicate in her person, and a woman of great feeling and indisputable abilities, though the democratic spirit of her writings has made them fall into disrepute. Feminist Companion Archive. |
Intertextuality and Influence | Aphra Behn | This hilarious comedy is set in Rome, with a conspicuously stupid, lustful, and venial puritan
clergyman guyed as Tickletext, in transparent allusion to Titus Oates
and the Popish Plot. The three heroines all... |
Textual Production | Aphra Behn | AB
's well-known The Disappointment, about a pastoral episode of male impotence, is freely translated from a French original which is itself adapted from a passage in Ovid
's Art of Love. It... |
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