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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
Intertextuality and Influence | Catherine Gore | Her topic here is the social complications that arise when a wife, unusually, has her own independent income. Vargo, Lisa. “Lodore and the Novel of Society”. Womens Writing, Vol. 6 , No. 3, 1999, pp. 425-40. 435 |
Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
Intertextuality and Influence | L. E. L. | The story opens with a situation borrowed from Jane Austen
's Pride and Prejudice: a mother desperate to get five daughters safely married because the family estate is entailed away in default of a... |
Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
Intertextuality and Influence | Emily Eden | EE
's preface explains that she first set this novel in what was then the present day: the pre-Reform-Bill, pre-railway era. She did not wish to update it in revising, so it is now set... |
Intertextuality and Influence | Elizabeth Strutt | Influence of Frances Burney
's Evelina is perceptible here, and influence of Jane Austen
seems at least a possibility: a family estate is named Maple Grove, as in Emma, and the heroine's marriage to... |
Intertextuality and Influence | Edna O'Brien | EOB
has named many women writers as important to her: she includes among these Jane Austen
, Emily Dickinson
, Elizabeth Bowen
, Anna Akhmatova
, Anita Brookner
, and Margaret Atwood
, adding: Every... |
Intertextuality and Influence | Dorothy Whipple | Unfortunately as published it contains almost no dates. In the early pages DW
writes a deliberately commonplace style, but often records glimpses of people or overheard conversations for possible use in fiction. She relates the... |
Intertextuality and Influence | Catherine Gore | The title-page quotes the passage in Swift
's Gulliver's Travels where the King of Brobdingnag hears from Gulliver about English politics and marvels that human grandeur can be mimicked by such contemptible insects. qtd. in Gore, Catherine. The Hamiltons; or, Official Life in 1830. R. Bentley, 1850. title-page |
Intertextuality and Influence | Molly Keane | This, like Good Behaviour, is a black comedy set in a crumbling Anglo-Irishbig house, Durraghglass. Unlike Good Behaviour it sets its protagonist family (of the same generation as Aroon St Charles) in... |
Intertextuality and Influence | E. M. Delafield | The novel presents a conflict of values between an optimist, a benign canon whose five children have trouble living under his Victorian principles, and a cynic, a World War One veteran who has published an... |
Intertextuality and Influence | Elizabeth Inchbald | The Critical covered EI
's version (which had a staggering run of forty-two performances) and Stephen Porter's in the same review. Critical Review. W. Simpkin and R. Marshall, 5 series. 2d ser. 24 (1798): 431 |
Intertextuality and Influence | Elizabeth B. Lester | Longman
's reader (our literary friend qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 449 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 449 |
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