Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press.
82-3
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Literary responses | Mercy Otis Warren | Her biographer, Katharine Anthony
, finds her plays influenced by the classic models of Molière
and Shakespeare
; astonishingly confident, if sometimes crass, in their satirical realism; and written with feeling as well as thought. Anthony, Katharine Susan. First Lady of the Revolution: The Life of Mercy Otis Warren. Kennikat Press. 82-3 |
Intertextuality and Influence | Lady Mary Walker | Lady Frances, newly rich, sees herself as holding her fortune in trust for her young nephew and for society as a whole: She considered society is manifestly maintained by a circulation of kindness. Walker, Lady Mary. Munster Village. Robson, Walter, and Robinson. 1: 60 |
Textual Production | Marie-Catherine de Villedieu | Marie-Catherine Desjardins
responded to the appearance of Molière
's Les Précieuses ridicules with a spirited, sometimes creative summary of it: Récit en prose et en vers de la farce des précieuses. Kuizenga, Donna. “Madame de Villeneuve”. Seventeenth-Century French Writers, edited by Françoise Jaouen, Gale. 385 |
Performance of text | Marie-Catherine de Villedieu | MCV
's Le Favory became the first play by a woman to be given at a command performance before the French monarch
(with newly-composed music by Jean-Baptiste Lully
and a prologue, now lost, by Molière
). Kuizenga, Donna. “Madame de Villeneuve”. Seventeenth-Century French Writers, edited by Françoise Jaouen, Gale. 386-7 |
Textual Production | Marie-Catherine de Villedieu | For her third and last play, the tragi-comedy Le Favory (not translated into English until the twentieth century), Marie-Catherine Desjardins
turned to Molière
's company (the Troupe du Roi
). This play (whose title means... |
Theme or Topic Treated in Text | Catharine Trotter | The letters published by Birch reflect an intellect dealing in literary as well as moral debate. To Thomas Burnet of KemnayCT
wrote of religious and philosophical matters; he was her link to currents of... |
Residence | Frances Trollope | Although Frances had no quarrel with her step-mother, shortly after her father's remarriage she and her sister went to live with their brother at 27 Keppel Street, London, where he had obtained a clerkship... |
Education | Melesina Trench | Her successive years with different guardians account for the apparent inconsistency in her comments about her education. In maturity she named her favourite youthful reading as Shakespeare
, Molière
, and Sterne
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Edith Templeton | ET
published Summer in the Country, her first novel, with an epigraph from Le misanthrope by Molière
. Templeton, Edith, and Anita Brookner. Summer in the Country. Hogarth Press. prelims “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | George Sand | This was followed by another play, Claudie, about a fallen woman's return to respectability, which opened at the Porte-Saint-Martin
theatre in January 1851. Two more plays were quickly developed this year: Molière and Le... |
Textual Production | Rosina Bulwer Lytton, Baroness Lytton | The next work by Rosina Bulwer Lytton (later Baroness Lytton)
was a novel or fictional biography: The School for Husbands; or, Molière
's Life and Times. The title is multiply allusive. Molière's comedy L'école... |
Theme or Topic Treated in Text | Rosina Bulwer Lytton, Baroness Lytton | Occupying three volumes in the English edition, it appeared in one volume in the United States in the same year. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Rosina Bulwer Lytton, Baroness Lytton,. The School for Husbands. A. Hart. |
Family and Intimate relationships | Teresia Constantia Phillips | TCP
's second serious lover was the impecunious second son of knighted landscape gardener Sir John Southcote
. The son was a Catholic, a womaniser, and an early user of patent-leather shoes. TCP
does not... |
Intertextuality and Influence | Mrs F. C. Patrick | The narrative is at first somewhat flat-footed in its insistence that this is not a novel, but it acquires further flavour whenever the old gentleman telling it becomes self-referential. His daughter, he says, acts the... |
Performance of text | Eliza Parsons | EP
's two-act comedy The Intrigues of a Morning (adapted from Molière
's Monsieur de Pourclaugnac) was produced at Covent Garden
. It was printed the same year, dedicated to Mary Champion de Crespigny
. The London Stage 1660-1800. Southern Illinois University Press. 5: 1447 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |