Richard Brinsley Sheridan
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Standard Name: Sheridan, Richard Brinsley
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | Hannah Cowley | HC
's farce or afterpiece Who's the Dupe? opened at Drury Lane
under Garrick
's successor, Sheridan
. It was normal practice for light-hearted sketches to follow more serious plays to complete the evening's entertainment. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 246 |
| Publishing | Barbarina Brand Baroness Dacre | This time her work was able to reach the stage (for just one night) because the second wife of Richard Brinsley Sheridan
, manager of Drury Lane, was her relation: Hester Jane née Ogle
... |
| Publishing | Catherine Gore | This novel was edited, with her initials, by Lady Charlotte Bury
; she disclaimed the political opinions of the narrator, or any first-hand knowledge of the material, since, she said, it dealt with a period... |
| Publishing | Frances Sheridan | Garrick disparaged the play, and apparently on account of FS
's gender he used Mrs Victor
(wife of his treasurer, who had formerly worked for Thomas Sheridan) as his intermediary for communication with her. In... |
| Publishing | Frances Arabella Rowden | Her book did well. Many clergy, many parents of girls in the Hans Place school, many relations of the author and of her dedicatee subscribed, plus Elizabeth Gunning
, Richard Brinsley Sheridan
, and Sarah Trimmer |
| Publishing | Maria Edgeworth | This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library
. Sheridan
rejected it for Drury Lane |
| Publishing | Ann Yearsley | As early as March-April 1788 AY
's backers Eliza Dawson
and Wilmer Gossip
were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at... |
| Publishing | Charlotte Smith | Encouraged by her friendship with the theatrical patron and amateur performer Henrietta O'Neill
, CS
had long thought about writing for the stage. She had written to Georgiana, Duchess of Devonshire
, in 1795 about... |
| Textual Features | Frances Sheridan | Widowed and left destitute, Sidney is rescued by the rich Ned Warner, who has first tested her generosity and compassion by pretending to be poor (an episode plagiarised by FS
's son
in The School... |
| Textual Features | Sarah Green | Yet she also approves the theatre as the School of Wisdom and Morality. Green, Sarah. Mental Improvement for a Young Lady, on her Entrance into the World, Addressed to a Favourite Niece. Minerva Press for William Lane, 1793. 116 Green, Sarah. Mental Improvement for a Young Lady, on her Entrance into the World, Addressed to a Favourite Niece. Minerva Press for William Lane, 1793. 117 |
| Textual Features | Maria Edgeworth | This essay includes elements of fiction and reportage. It both exemplifies and defends the colourful and linguistically distinct qualities of Irish lower-class speech, pointing out that for these speakers English is their second language. (This... |
| Textual Features | Maria Riddell | MR
's own twenty poems include prefatory verses as editor, written for the occasion. She prints work by the late Henrietta O'Neill
(the well-known Ode to the Poppy), Georgiana Duchess of Devonshire
(St... |
| Textual Features | Elizabeth Polwhele | The Frolicks is low London comedy—lively, realistic, and distinctly bawdy. Polwhele, Elizabeth. “Introduction: A ’Lost’ Play and its Context”. The Frolicks, edited by Judith Milhous and Robert D. Hume, Cornell University Press, 1977, pp. 13-49. 19 |
| Textual Production | Hannah Cowley | It was badly presented, by two of the cast in particular. Escott, Angela, and Isobel Grundy. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy. 24 Oct. 2002. |
| Textual Production | Phebe Gibbes | A musical drama by PG
was accepted for production, but then lost, by Richard Brinsley Sheridan
, new manager of Drury Lane Theatre
. Archives of the Royal Literary Fund, 1790-1918. |
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