Hannah More

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Standard Name: More, Hannah
Birth Name: Hannah More
Nickname: Nine
Pseudonym: A Young Lady
Pseudonym: The Author of Percy
Pseudonym: H. M.
Pseudonym: Will Chip, a Carpenter
During her long and phenomenally productive career HM wrote plays, poems, a single novel and much social, religious, and political commentary. She was the leading conservative and Christian moralist of her day. Her political opinions were reactionary, and her passionate commitment to educating the poor and lessening their destitution has been judged as marred by its paternalist tone. But she was a pioneer educator and philanthropist, with enormous influence on the Victorian age.
Orlando gratefully acknowledges help with this document from Mary Waldron. Any flaws or errors are, of course, not hers.
Photograph of a painting of Hannah More by Henry William Pickersgill, 1822. She is seated on a red-upholstered chair beside a little table draped in red fabric and bearing a quill pen, inkwell, and piece of paper. She wears a blue-green mantle with V neck and creamy fabric at the cuffs and neckline, finished with a ruff around her neck. She has a gold shawl and a cap topped with pale blue ribbons. More wrote that she was "condemned, sorely against her will," to sit for this portrait. The version here, in th
Print of Barley Wood, Hannah More's home for almost thirty years. The print's grey tones depict a wooded countryside with some of Barley Wood's twenty acres. One of two female figures in the mid-ground is pointing towards the house.

Connections

Connections Author name Excerpt
Textual Features Elizabeth Heyrick
She does not eschew politics on account of her readers' youth, but delivers an anti-war and anti-imperial message: The finest sight that could possibly be exhibited to me on earth, would be not a great...
Textual Features Charlotte Smith
In this book the ancient and imposing but crumbling manor house is an emblem of English society as a whole: a trope which was to be popular with later novelists. The downtrodden orphan heroine, Monimia...
Textual Features Sarah Trimmer
In addition to Catharine Cappe 's work on Sunday schools and versions of fairy stories by Marie-Catherine d'Aulnoy , the magazine reviewed work by a whole library of didactic, pedagogical, or improving writers, reprinted as...
Textual Features Anna Letitia Barbauld
ALB draws on Hannah More , her niece Lucy Aikin , and (anonymously) Joanna Baillie . She is even-handed in that she includes six excerpts from James Fordyce 's Sermons to Young Women, a...
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Features Priscilla Wakefield
PW welcomes the way that Adam Smith and other Scottish Enlightenment writers have made womanhood a branch of philosophy, not a little interesting.
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
106
Unlike Wollstonecraft , she sees women's sphere as naturally limited and...
Textual Features Millicent Garrett Fawcett
Her authors run from Jane Austen and some contemporaries to Elizabeth Barrett Browning and Harriet Martineau . Elizabeth Fry , Mary Carpenter , and Florence Nightingale represent philanthropy, Caroline Herschel and Mary Somerville science, and...
Residence Susannah Gunning
Hannah More was a near neighbour; though it is not known that they made contact. Langford Court was later occupied by More's good friends the Addington family.
Reception Jane Taylor
Like her sister many years later, she replied robustly to complaint about her overtly Dissenting code of conduct. She reveals a clear sense of the disparity between standards applied to hegemonic beliefs and those applied...
Reception Elizabeth Sophia Tomlins
Reviews of this volume were somewhat lukewarm.
Tomlins, Elizabeth Sophia. “Introduction”. The Victim of Fancy, edited by Daniel Cook, Pickering and Chatto, p. xi - xxxi.
xi
Hannah More briefly summarizes the story of Quashi in a note to her Slavery: A Poem, 1788 (without mentioning his love for the white Matilda). James G. Basker
Reception Mary Whateley Darwall
In April 1774 (ten years on from her first volume but long before her second) the Monthly Review (in a notice of Hannah More 's The Inflexible Captive) listed MWD as one of the...
Reception Marion Reid
Scholar Margaret McFadden notes that this work was tremendously successful, particularly in the United States, where it went through five editions between 1847 and 1852. The 1847 edition and all ensuing versions were printed...
Publishing Lucy Walford
LW 's lives of Jane Taylor , Elizabeth Fry , Hannah More , and Mary Somerville , each originally printed in Blackwood's Magazine, appeared together as Four Biographies from Blackwood in Edinburgh and London.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Publishing Martha Hale
Subscribers included the Prince of Wales and other royalty, Elizabeth, Margravine of Anspach , Georgiana, Duchess of Devonshire , her daughter the Countess of Carlisle , Charles Burney , Warren Hastings , Miss De Camp (later Maria Theresa Kemble)
Publishing Amelia Bristow
A list of about 210 subscribers is given in the volume. They included Hannah More and Jane and Anna Maria Porter . A sixth edition appeared in 1847.
Loeber, Rolf, and Magda Loeber. A Guide to Irish Fiction 1650-1900. Four Courts.
180
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 660
The full title is...

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