Samuel Johnson
-
Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Anna Seward | AS
contributed to debate on Boswell
's Life of Johnson with extracts in the Gentleman's Magazine from her correspondence about Johnson with William Hayley
, dating from 1782. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 143, 201-3 |
Family and Intimate relationships | Anna Seward | A family story related that AS
's grandfather John Hunter
, who became Samuel Johnson
's schoolmaster, had begun life as a foundling. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 2 |
Friends, Associates | Anna Seward | Acquainted with Hester Piozzi
(and an admirer of her wit), Seward, Anna. Letters of Anna Seward. Editor Constable, Archibald, Vol. 6 vols. , A. Constable, 1811, 6 vols. 2: 102 |
Literary responses | Anna Seward | Mary (Young) Sewell
praised the author in a poem beginning O Thou! whoe'er thou art—Oh Bard divine! Since she did not know AS
's identity, she may have written her poem in the months before... |
Reception | Anna Seward | Publication of a Beauties of was an accolade which put AS
on a par with, for instance, Johnson
or Richardson
. |
Publishing | Anna Seward | AS
published an anonymous and in the main uncomplimentary Character of the recently-dead Samuel Johnson
(a kind of obituary) in the General Evening Post. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 111 |
Publishing | Anna Seward | |
politics | Sarah Scott | They believed that women could think and write in freedom only outside relationships with men. Although Mary Astell
's writing influenced them, they insisted that women must be involved in society and not withdraw into... |
Textual Features | Sarah Scott | The Introductory History of Sweden, from The Middle of the Twelfth Century is in effect an essay on biography and historiography. It argues the importance of biography, and the influence which even minor figures exercise... |
Friends, Associates | Mary Scott | MS
was probably a friend from an early age of the dissenting hymn-writer Anne Steele
, who lived not very far away and who was a generation older. They spent much time together in 1773... |
Textual Features | Mary Scott | MS
brings her list up to date with significant women writers who have published since the appearance of The Feminead. Her information is not perfect—she credits Anna Williams
with some works actually written by... |
Intertextuality and Influence | Mary Anne Schimmelpenninck | |
Performance of text | Madeleine Lucette Ryley | MLR
's five-act historical melodrama, Richard Savage
, which is based on Samuel Johnson
's biography of the talented, self-destructive poet, opened at the Lyceum
in New York. Engle, Sherry D. New Women Dramatists in America, 1890-1920. Palgrave MacMilan, 2007. 77, 97 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Susanna Haswell Rowson | The title-page quotes Samuel Johnson
asserting that an author has nothing but his own merits to stand or fall on. The Birth of Genius, an irregular ode, offers advice to my son to love... |
Textual Production | Susanna Haswell Rowson | During her work on this novel SHR
was appearing regularly on stage, learning nearly forty different parts, and writing as well three plays, several songs, and an address in verse. Epley, Steven. “Susanna Rowson’s Bible Abridgement and Its Relationship to Her Most Famous Novel”. American Society for Eighteenth-Century Studies (ASECS) Conference, Boston, MA, 25 Mar. 2004. Parker, Patricia L. Susanna Rowson. Twayne, 1986. 15 |
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