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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Elizabeth Carter
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Standard Name: Carter, Elizabeth
Birth Name: Elizabeth Carter
Nickname: Mrs Carter
Used Form: A Lady
EC
was renowned during a long span of the later eighteenth century as a scholar and translator from several languages and the most seriously learned among the Bluestockings. Her English version of Epictetus
was still current into the twentieth century. She was also a poet and a delightful letter-writer.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Wentworth Morton | The title-page quotes romantic, melancholy lines from Byron
's Childe Harold. Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16. 12 |
Leisure and Society | Hannah More | Once an omnivorous reader, HM
restricted her choice of books in later life, in line with her religious convictions. She delighted in William Cowper
as a poet whom I can read on Sunday. qtd. in Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952. 90 |
Literary responses | Jane Squire | Elizabeth Carter
wrestled with this book, driving herself half mad to find out the meaning of it and telling Catherine Talbot
she was enraged at her own stupidity. Pope Benedict XIV
, to whom a... |
Literary responses | Elizabeth Smith | Smith translated various different parts of the Old Testament. Bowdler showed some of some of her versions from Hebrew to a scholar of that language, who assumed that the writer was male and responded... |
Literary responses | Elizabeth Smith | Hannah More
praised the recently-dead ES
in Coelebs in Search of a Wife, setting her in the distinguished company of Elizabeth Carter
for acquirements which would have been distinguished in an University, meekly softened... |
Literary responses | Mary Latter | The Critical gave the book a one-paragraph review, noting ML
's misfortunes, her setting reviewers at defiance, and some strokes of genius in her writing. Critical Review. W. Simpkin and R. Marshall, 5 series. 8 (1759): 171 |
Literary responses | Joanna Baillie | Elizabeth Carterfelt a triumph when she learned the author was a woman. Pennington, Montagu, and Elizabeth Carter. Memoirs of the Life of Mrs Elizabeth Carter. F. C. and J. Rivington, 1807. 1: 443 |
Literary responses | Charlotte Lennox | Samuel Johnson
pronounced in conversation that CL
was worthy to rank with the exceptional women Carter
, More
, and Burney
: more yet, she was superiour to them all. Boswell, James, 1740 - 1795. Boswell’s Life of Johnson. Editors Hill, George Birkbeck and Laurence Fitzroy Powell, Clarendon, 1934, 6 vols. 4: 275 |
Literary responses | Elizabeth Singer Rowe | The Gentleman's Magazine published Elizabeth Carter
's poetic tribute (both personal and literary) to the recently dead ESR
. Gentleman’s Magazine. Various publishers. (1737): 247 |
Literary responses | Anna Letitia Barbauld | Literary admirers of the hymns included Hannah More
, Anna Seward
, and Elizabeth Carter
, who found some passages amazingly sublime. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 193 |
Literary responses | Elizabeth Montagu | Mary Elizabeth Coleridge
, in a review of this book and of Alice Gaussen
's monograph on Elizabeth Carter
, used them to place the Bluestockings in relation to modern women's behaviour, but she was... |
Literary responses | Catharine Macaulay | Though CM
's work later became synonymous with radical history, at its first appearance moderate Whigs likeThomas Gray
and Horace Walpole
thought it the most sensible, unaffected, and best history of England that we... |
Literary responses | Elizabeth Montagu | The patriotism of EM
's riposte ensured its enthusiastic reception. Readers (among them a brother of Elizabeth Carter
, who refrained from enlightening him) assumed that the anonymity of this authoritative critical voice concealed a... |
Literary responses | Fidelia | Next month commentators were busy. Jane Brereton
as Melissa addressed both Elizabeth Carter
(whom, in her turn, she supposed to be an anonymous male writer) and Fido, whom she assured that Fidelia ought to... |
Literary responses | Sarah Fielding | Samuel Richardson
respected The Cry as a new Species of Writing, sent copies to two friends (Sophia Wescomb
and Dorothy, Lady Bradshaigh
), and wanted it to go into a second edition— Londry, Michael. “Our dear Miss Jenny Collier”. Times Literary Supplement, 5 Mar. 2004, pp. 13-14. 13 |
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