George Gordon, sixth Baron Byron

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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron

Connections

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Textual Features Mary Ann Browne
Her title poem is rich and dignified, written in Spenser ian stanzas. The later Ocean is a poem in similar style. Many other pieces are social and sentimental, with titles like Tears, Loves...
Textual Features Una Marson
UM 's poetry has sometimes been characterised as uneven. Her best poems, however, explore black, female identity with perception and passionate honesty. Despite the pervasive influence on her work of Romantic poets such as Shelley
Textual Features Harriet Beecher Stowe
She also published articles in the Atlantic Monthly between 1857 and 1879. She wrote of slavery and emancipation, and of domestic topics. Her Sojourner Truth . The Libyan Sybil appeared in April 1963, and The...
Textual Features Susanna Watts
The title-page quotes Pope , who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron (The Isles of Greece), Jane Taylor (The Squire's...
Textual Features Emma Caroline Wood
Textual Features Sarah Green
The plot owes something to Charlotte Lennox 's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney , then Radcliffe , then Owenson , then Rosa Matilda
Textual Features Elizabeth Cobbold
EC employed couplets, stanzas, and blank verse to address her African, Oriental, pastoral, medieval, and contemporary subjects; the one non-exotic tale is best, but all have dash and vigour. A battle-ballad sounds Byron
Textual Features Caroline Bowles
The poem, called a burlesque epic
Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate.
81
by the author, details the life and adventures, and tragical death
Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate.
89
of Merlin the tomcat. (The title Childe, famously used in Byron 's Childe Harold...
Textual Features Augusta Webster
Shorter pieces include The River, Two Maidens, and The Hidden Wound. Lota, the last and longest in the collection, is a narrative poem in blank verse. It is most heavily indebted...
Textual Features Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Textual Production Elizabeth Thomas
She wrote this novel, she said, because she admired Byron 's poem Childe Harold, but thought it wanted a finish.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
(This was no wonder, since only the first two cantos had so far...
Textual Production Dorothy Whipple
The country house which is the centre and almost the leading character of this novel was called in DW 's earliest working drafts The Manor and later Saunby (still used in the novel as published)...
Textual Production Mary Shelley
MS was the only one of the group to rise to Byron 's challenge by completing a ghost story, which she did almost a year later, on 14 May 1817.
Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, pp. 11-43.
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She dedicated the printed...
Textual Production Medora Gordon Byron
The first publication by Miss Byron appeared in five volumes from the Minerva Press: The English-Woman, A Novel. Not until a British Library (then the British Museum ) catalogue of 1885 was the...
Textual Production Harriet Smythies
She quoted Byron and the Greek historian Thucydides on her title-page, and dedicated the poem to the Spirit of 'The Times'—that is, the newspaper. A letter to the editor of the Times...

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