Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora.
149
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Sydney Owenson, Lady Morgan | De Staël
is said to have had France read to her on her deathbed, with approbation. Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 149 |
Literary responses | Sydney Owenson, Lady Morgan | Croker
, who again reviewed for the Quarterly, was obviously one of the race of intolerant critics Quarterly Review. J. Murray. 25 (1821): 532 |
Friends, Associates | Sydney Owenson, Lady Morgan | Sydney Morgan's genius for social life, and for forging relations with famous and celebrated people, continued from youth to age. On her second visit to London she met the bluestocking hostess the Countess of Cork and Orrery |
Textual Production | Sydney Owenson, Lady Morgan | OCLC attributes to SOLMThe Mohawks; A Satirical Poem with Notes, 1822; other comparable library catalogues do not. The vaguely Byron
ic style and the detailed allusion to English and Irish party politics is... |
Literary Setting | Emma Tennant | |
Material Conditions of Writing | Angela Thirkell | She began working on this a little before her collection of children's stories. She was at first intimidated by the idea of doing historical, archival research. Her publisher, Hamilton
, encouraged her, and when she... |
Textual Production | Elizabeth Thomas | With The Baron of Falconberg; or, Childe Harolde in Prose, Elizabeth Thomas
entered the controversy swirling around Byron
, again calling herself Mrs. Bridget Bluemantle and mentioning a long list of previous works. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 421 |
Publishing | Elizabeth Thomas | With Purity of Heart; or, The Ancient Costume. A Tale (and with a different publisher and different pseudonym), Elizabeth Thomas
entered the specific battle-ground surrounding Byron
and Lady Caroline Lamb
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 438 |
Textual Production | Elizabeth Thomas | She wrote this novel, she said, because she admired Byron
's poem Childe Harold, but thought it wanted a finish. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Characters | Elizabeth Thomas | Thomas
calls her Caroline Lamb
character Lady Calantha Limb, appropriating the Christian name of Lamb's heroine in Glenarvon, along with several of her speeches. Elizabeth Thomas
's own heroine, the beautiful, rich, cherished, seventeen-year-old... |
Education | Annie Tinsley | |
Theme or Topic Treated in Text | Annie Tinsley | The epigraph to the volume is from Moore
's Loves of the Angels. AT
was assumed to be influenced by Felicia Hemans
, but denied that this was the case. The ruin and misery... |
Publishing | Melesina Trench | MT
issued, through her usual Southampton printer, another pamphlet, Lines on Reading the last Canto of [Byron
's] Childe Harold. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Melesina Trench | The University of Texas at Austin
holds the only known copy. (MT
also reproved Byron
in verse for his English Bards and Scotch Reviewers.) Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 231 |
Textual Production | Frances Trollope |
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