Women’s Writing in the British Isles from the Beginnings to the Present
T. S. Eliot
-
Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE
, an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE
also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.
Her literary circle in Paris was highly eclectic: the many camps in which she had friends included the Surrealist rump, the incoming Existentialists, and the Communists (who were mostly ex-Surrealists).
Harriet Shaw Weaver
had approached the Hogarth Press
about publishing Ulysses in April 1918, but the Woolfs declined, mainly because they could not have printed so massive a work themselves and because Leonard could find...
In her junior year at college EB
interviewed T. S. Eliot
, who was in town to deliver the Norton Lectures. A year later she met Marianne Moore
.
Marshall, Megan. Elizabeth Bishop. A Miracle for Breakfast. Houghton Mifflin Harcourt.
34-6
Friends, Associates
Harriet Shaw Weaver
Her friendship with Dora Marsden
remained constant until Marsden's mental health deteriorated. Marsden was one of the few people who knew and addressed HSW
by her pseudonym, Josephine Wright. After Weaver closed down the...
Friends, Associates
Nancy Cunard
Her boredom with this life (her mother's social milieu) was something that she shared with her friend Iris Tree
, also a poet. Despite her antipathy towards it, this life presented her with important literary...
Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1.
xxix
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Health
Muriel Spark
Dexedrine was popular at the time as a dieting aid. Spark found letters becoming jumbled on the page as she was reading; she was on the hunt for theological interpretations in the writings of T. S. Eliot
Intertextuality and Influence
Diana Athill
She opens on things she would like to do which age makes inappropriate or impossible: acquiring a puppy, or watch a tree-fern grow to maturity. (A postscript records that the tree-fern, discouragingly tiny when it...
Intertextuality and Influence
Nancy Cunard
The same company published Pound
and Eliot
(whose Prufrock is a pervasive presence in Cunard's first two collections). The title of this one strikes a note characteristic of her throughout her life. In later life...
Intertextuality and Influence
Penelope Shuttle
The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified.
Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, pp. 46-8.
48
At fifteen she read T. S. Eliot
and Emily Dickinson
and conceived a wish to be...
The outlaws in question are lovers: he a demon lover, she a fearless woman. The writing here reflects a modernist love of allusion: it is, says Patrick McGuinness
, derivative in quite original ways. Sometimes...
Intertextuality and Influence
W. H. Auden
While an undergraduate at Oxford (from October 1925) he discovered T. S. Eliot
, and was for a while obsessively modernist, as he had previously been traditional in the style of Thomas Hardy
. He...
Intertextuality and Influence
Nancy Cunard
The poem is very much influenced by T. S. Eliot
's The Waste Land, whose basic narrative structure it adopts: the poet-protagonist moves through city streets, calls up images of past and present, tries...
